Materials & Techniques: brown ink / Date: 1770 - YCBA Collections Search Search Results

1. Study for the Portrait of George Spencer, Fourth Duke of Marlborough

Creator:: George Romney, 1734–1802
Date:: 1770s–80s
Materials & Techniques:: Brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 13 1/4 inches (50.2 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
On View:: On view at YUAG

2. The Bath of Bath-sheba

Creator:: George Romney, 1734–1802
Date:: early 1770s
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Seated Woman

Creator:: George Romney, 1734–1802
Date:: early 1770s
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Pensive Lady

Creator:: George Romney, 1734–1802
Date:: early 1770s
Materials & Techniques:: Pen and brown ink on medium slightly textured beige laid paper
Dimensions:: Sheet: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Two Studies of a Male Figure

Creator:: George Romney, 1734–1802
Date:: 1770-1771
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Given by Richard Teitz, Yale BA 1963, in celebration of the 50th Reunion of his class, and in memory of Alexander Teitz, Yale BA 1934, and Lucille Teitz

6. Sketches for "The Accusation of Susanna"

Creator:: George Romney, 1734–1802
Date:: mid- 1770s
Materials & Techniques:: Graphite with pen and brown ink; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 16 5/8 inches (27.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

7. Untitled

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 2 3/4 inches (10.6 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

8. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Fly Fishing

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 10 9/16 inches (10.8 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Anglers Packing Up

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 inches (10.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Bottom Fishing Near Totten Mill

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 12 7/8 inches (10.8 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Punt Fishing in the Thames

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 x 13 1/16 inches (10.6 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Apollo and Daphne

Creator:: Master of the Giants, active 1779
Date:: between 1770 and 1799
Materials & Techniques:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Design for a Country Mansion

Creator:: James Playfair, 1755–1794
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 5 3/8 × 11 1/8 inches (13.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. St. James's Park, London: Plan

Creator:: Lancelot ('Capability') Brown, 1716–1783
Date:: 1770
Materials & Techniques:: Pen and black and brown ink, watercolor on moderately thick, smooth, cream vellum
Dimensions:: Sheet: 19 1/2 x 27 1/16 inches (49.5 x 68.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Study for the Wellington Shield

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slighltly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Relief Design for a Silver Salt Cellar

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Firing a Salute

Creator:: Dominic Serres, 1722–1793
Date:: 1770
Materials & Techniques:: Gray ink with gray wash touched with brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 x 14 3/4in. (25.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Study for Telemachus

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 11 7/8 inches (23.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Club

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

26. Sir Roger de Coverly

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 7 inches (20 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

27. A Map of Redenhall Farm or Clyntegate Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Map of the Farm in Mr. Briten's Use

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Map of the Land in Needham

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Map of Hardwick-Hall Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Map of the Land in Starson

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Map of Pulham Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Earlham Park, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Earlham, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Shelton Hall Lands

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Earlham House, Elevation Plan with Dimensions

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Earlham House, Front Elevation and Footprint

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Plan of the Mansion-house and Paddock of Edward Bacon

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 20 3/8 × 23 3/4 inches (51.8 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Study of a Gentleman, called Dr. Johnson

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/4 x 1 1/4 inches (5.7 x 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

41. The Judgment of Paris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/4 inches (20.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Two Women Talking to a Man at a Counter

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink, brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 1/8 inches (20 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hudibras and Rolpho

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 6 inches (17.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 15/16 × 24 7/16 inches (43 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques brown ink

Date 1770

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1. Study for the Portrait of George Spencer, Fourth Duke of Marlborough

2. The Bath of Bath-sheba

3. A Seated Woman

4. A Pensive Lady

5. Two Studies of a Male Figure

6. Sketches for "The Accusation of Susanna"

7. Untitled

8. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

9. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

10. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

11. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

12. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

13. Fly Fishing

14. Anglers Packing Up

15. Bottom Fishing Near Totten Mill

16. Punt Fishing in the Thames

17. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

18. Apollo and Daphne

19. Design for a Country Mansion

20. St. James's Park, London: Plan

21. Study for the Wellington Shield

22. Relief Design for a Silver Salt Cellar

23. Firing a Salute

24. Study for Telemachus

25. The Club

26. Sir Roger de Coverly

27. A Map of Redenhall Farm or Clyntegate Farm

28. A Map of the Farm in Mr. Briten's Use

29. A Map of the Land in Needham

30. A Map of Hardwick-Hall Farm

31. A Map of the Land in Starson

32. A Map of Pulham Farm

33. Earlham Park, Norfolk

34. Earlham, Norfolk

35. Shelton Hall Lands

36. Earlham House, Norfolk

37. Earlham House, Elevation Plan with Dimensions

38. Earlham House, Front Elevation and Footprint

39. A Plan of the Mansion-house and Paddock of Edward Bacon

40. Study of a Gentleman, called Dr. Johnson

41. The Judgment of Paris

42. Two Women Talking to a Man at a Counter

43. Hudibras and Rolpho

44. To Phoebus at His Birth, From Aeschylus, Furies

45. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.