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Materials & Techniques brown ink

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Period 18th century

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Subject Terms sketches

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The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roman Sketchbook
Creator:
Alexander Cozens, 1717–1786
Date:
1746
Materials & Techniques:
Sketchbook with sketches in graphite, pen and black ink, pen and brown ink, black wash, gouache and gray wash on medium, slightly textured, cream laid paper, bound in vellum
Dimensions:
Spine: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Sketches of a Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/8 inches (31.1 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Two Sketches of Man
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, verso: red chalk on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/16 × 8 5/16 inches (33.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Two Sketches of Man
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/4 × 8 inches (32.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Two Swimmers
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 8 inches (21 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund