Materials & Techniques: brown ink / Period: 19th century / Width [cm]: 14

1. Near Eb-bosh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 15/16 x 5 7/16 inches (4.9 x 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Shelaal

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/16 x 5 5/16 inches (7.8 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Philae, 6:00-6:15 am, 31 January 1867 (277)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 1/8 x 5 3/8 inches (5.4 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Philae

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 11/16 inches (8.3 x 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 3 x 5 3/8 inches (7.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Below Rabat, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 6 5/8 inches (14 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

7. Massa Forno, Gozo

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 13/16 x 5 5/16 inches (9.7 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

8. Boats

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 11/16 x 5 1/2 inches (6.8 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Near Eb-Bosh; 2:15 P.M., 2 Jan. 1867 (33)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 × 5 7/16 inches (5.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Near Golosana[sic]; 4:30 P.M., 3 Jan. 1867 (56)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 3/16 × 5 5/8 inches (5.6 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Negadah; 5:30 P.M., 17 Jan. 1867 (192)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Pen and brown ink and blue ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/4 × 5 5/8 inches (5.7 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Boats (Dahabeahs); 28 Feb. [1867] (565)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 1 5/16 × 5 5/16 inches (3.3 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Tough; 8:45 A.M., 25 Feb. 1867 (551)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, white gouache, graphite, pen and brown ink and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/8 × 5 3/8 inches (5.4 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Salo; 2:35 P.M., 14 May 1867 (89)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 1 13/16 × 5 3/8 inches (4.6 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Wayfarers

Creator:: Sir John Gilbert, 1817–1897
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Burial of Sarah

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Nocturnal View of Mountainous Landscape with River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, sponging and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dioecici (botanical specimen)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 8 13/16 inches (27.9 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Scenes from Life in Paris: Man Seated and Man Carrying Basket

Creator:: Ambrose Poynter, 1796–1886
Date:: ca. 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Peter's Church, Woolwich

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1842
Materials & Techniques:: Pen and gray ink and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 5 3/8 inches (18.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Design for St. David, Pantasaph, Flintshire. East Elevation

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library

39. A Camel Resting, Side View to the Right

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 5/16 inches (9.2 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Figures on an Elephant and Other Elephant Studies

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Camel, Facing Left, Sept. 1856

Creator:: George Jones, 1786–1869
Date:: 1856
Materials & Techniques:: Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Donkey Beside a Tree, Hampstead

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, smooth, beige wove paper
Dimensions:: Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. George Moser

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Pen and red-brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Study of Three Figures, Leaning on a Windowsill

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1805
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Study of Seated Figures

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 × 5 5/8 inches (9.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study of a Male Nude, in a Laid out Position on the Floor

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 7/16 × 5 11/16 inches (6.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Study of Christ Raising Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Study of a Battle

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Compositional Study of Soldiers

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 5 3/8 inches (16.8 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study of an Older Palace in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/16 × 5 1/2 inches (20.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Ruins of Sparta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 5 7/16 inches (22.5 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Windsor Castle, Berkshire: View of the Tower

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 × 5 3/8 inches (7.6 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques brown ink

Period 19th century

Width [cm] 14

Search Results

1. Near Eb-bosh

2. Shelaal

3. Philae, 6:00-6:15 am, 31 January 1867 (277)

4. Philae

5. Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328)

6. Below Rabat, Malta

7. Massa Forno, Gozo

8. Boats

9. Near Eb-Bosh; 2:15 P.M., 2 Jan. 1867 (33)

10. Near Golosana[sic]; 4:30 P.M., 3 Jan. 1867 (56)

11. Negadah; 5:30 P.M., 17 Jan. 1867 (192)

12. Boats (Dahabeahs); 28 Feb. [1867] (565)

13. Tough; 8:45 A.M., 25 Feb. 1867 (551)

14. Salo; 2:35 P.M., 14 May 1867 (89)

15. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

16. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

17. The Smock Exposed

18. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

19. The Reconcilation

20. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

21. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

22. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

23. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

24. Wayfarers

25. The Rescue of Lot

26. Burial of Sarah

27. Nocturnal View of Mountainous Landscape with River

28. The Walls of Jericho

29. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

30. Dioecici (botanical specimen)

31. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

32. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

33. Hogarth Drawing Sarah Malcolm

34. Hogarth Sitting to Roubiliac for His Bust

35. Scenes from Life in Paris: Man Seated and Man Carrying Basket

36. Designs for Gothic Ornamentation

37. St. Peter's Church, Woolwich

38. Design for St. David, Pantasaph, Flintshire. East Elevation

39. A Camel Resting, Side View to the Right

40. Figures on an Elephant and Other Elephant Studies

41. A Camel, Facing Left, Sept. 1856

42. [One from] A Volume of Drawings and Prints

43. Donkey Beside a Tree, Hampstead

44. George Moser

45. Study of Three Figures, Leaning on a Windowsill

46. Study of Seated Figures

47. Study of a Male Nude, in a Laid out Position on the Floor

48. Study of Christ Raising Lazarus

49. Study of a Battle

50. Compositional Study of Soldiers

51. Study of an Older Palace in Venice

52. Ruins of Sparta

53. Windsor Castle, Berkshire: View of the Tower