Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
6
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
8
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
9
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
10
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
11
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
12
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
13
Edward Lear, 1812–1888
Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)
1867
14
Edward Lear, 1812–1888
Near Wady Halfeh
1867
15
Edward Lear, 1812–1888
Abu Simbel, 4:30 pm, 8 February 1867 (379)
1867
16
Edward Lear, 1812–1888
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
17
Edward Lear, 1812–1888
Sabooa
1867
18
Edward Lear, 1812–1888
Karnak, 24 February 1867 (545)
1867
19
Edward Lear, 1812–1888
Near Daboad
1867
20
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
21
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
1867
22
Edward Lear, 1812–1888
Deir El Adra
1867
23
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
1867
24
Edward Lear, 1812–1888
Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)
1867
25
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
26
Edward Lear, 1812–1888
Lago di Garda
1867
27
Edward Lear, 1812–1888
Deir Kadige, noon., January 2, 1867 (27)
1867
28
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
29
Edward Lear, 1812–1888
Sharaone
1867
30
Edward Lear, 1812–1888
Ibreem, 11:00 am, 2 February 1867 (319)
1867
31
Edward Lear, 1812–1888
Amada, 7:20 am, 12 February 1867 (421)
1867
32
Edward Lear, 1812–1888
Karnak, 9:30 am, 24 February 1867 (546)
1867
33
Edward Lear, 1812–1888
Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
1867
34
Edward Lear, 1812–1888
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
35
Edward Lear, 1812–1888
Salahiyeh
1867
36
Edward Lear, 1812–1888
Salahiyeh
1867
37
Edward Lear, 1812–1888
Kurayim
1867
38
Edward Lear, 1812–1888
Gozo, near Malta
1866
39
Edward Lear, 1812–1888
Albania
between 1848 and 1849
40
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
41
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
42
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
43
George Romney, 1734–1802
Birth of Man
undated
44
George Romney, 1734–1802
Seated Woman
undated
45
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
46
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
48
Print made by Sir Frank Short, 1857–1945
The Stork and Aqueduct
1896
49
Print made by Sir Frank Short, 1857–1945
Huntsmen in a Wood
1891
50
David Allan, 1744–1796
Costume Study
undated
51
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
52
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
53
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
54
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
55
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
56
John Thomas Smith, 1766–1833
The Smock Exposed
1817
57
John Thomas Smith, 1766–1833
The Reconcilation
1817
58
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
59
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
60
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
61
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
62
unknown artist
Design for Wall Paper
ca. 1760
63
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
64
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
65
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
66
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
67
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
68
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
69
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
70
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
71
George Lothian Hall, 1825–1888
Part of the Bay of Gibraltar, the Spanish Lines
1844
72
John Henderson, 1764–1843
Venetian Scene
undated
73
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
74
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
75
John Baverstock Knight, 1785–1859
Thatched Cottage near Henley
1821
76
unknown artist
Church Interior
undated
77
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
78
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
79
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
80
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
81
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
82
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
83
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
84
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
85
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
86
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
87
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
88
Samuel Prout, 1783–1852
Beach Scene
undated
89
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
90
Francis Place, 1647–1728
Lambeth from York House
undated
91
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
92
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
93
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
94
Thomas Rowlandson, 1756–1827
The Doctor's Consultation
1815-1820
95
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
96
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
97
Thomas Rowlandson, 1756–1827
Nymphs at a Roman Bath
undated
98
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
99
after Thomas Rowlandson, 1756–1827
Man with Barrow and Dog
undated
100
Sawrey Gilpin, 1733–1807
Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot