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1. Andromache Mourning the Death of Hector

Andromache Mourning the Death of Hector

Creator:: Gavin Hamilton, 1723–1798
Date:: between 1760 and 1763
Materials & Techniques:: Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Raising of Lazarus

The Raising of Lazarus

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Dead Hare and a Cooked Lobster on a Bench

A Dead Hare and a Cooked Lobster on a Bench

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1827
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Fallen Oak

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Prospect of Vapourland

A Prospect of Vapourland

Creator:: Richard Bentley, 1708–1782
Date:: 1759
Materials & Techniques:: Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Gibbet

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 10 13/16 inches (36 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection