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Materials & Techniques brown ink

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Subject Terms cliffs

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Topic subjectplace ss Europe

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Francis Danby Hope near Bergen
Francis Danby, 1793–1861
Hope near Bergen
ca. 1840
William J. Blacklock Near Broadstairs
William J. Blacklock, 1805–1858
Near Broadstairs
undated
Mary Harcourt On the Rhone
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
Joseph Powell Fisherman's Quarters, Robin Hood's Bay
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
William Callow Walenstadt, from Weesen, Switzerland
William Callow, 1812–1908
Walenstadt, from Weesen, Switzerland
1842
William Turner of Oxford Clovelly, North Devon
William Turner of Oxford, 1789–1862
Clovelly, North Devon
undated
Alfred Diston View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward
Alfred Diston, active 1818–1829
View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward
1820
Alfred Diston View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward
Alfred Diston, active 1818–1829
View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward
1820
William Day Matlock Baths, Derbyshire
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
John Emes Matlock High Tor, Derbyshire
John Emes, 1762–1810
Matlock High Tor, Derbyshire
ca. 1786
Alexander T. Francia On the Coast of Brittany
Alexander T. Francia, 1820–1884
On the Coast of Brittany
1839
John White Abbott Slate Quarry at Widecombe, Devon
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
Thomas Rowlandson Valley of Stones, Lynton, Devon
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
unknown artist Sidmouth Cliffs
unknown artist
Sidmouth Cliffs
ca. 1830
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822