Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1778–1783
On view at YUAG
2
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1770s–80s
On view at YUAG
3
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
4
George Stubbs, 1724–1806
Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
5
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
6
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
8
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
10
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
11
Edward Lear, 1812–1888
Egyptian Man
1867
12
Edward Lear, 1812–1888
Egyptian Man
1867
13
Edward Lear, 1812–1888
Egyptian Man
1867
14
Edward Lear, 1812–1888
Egyptian Man
1867
15
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
16
George Romney, 1734–1802
Sketches for a Man with a Horse
undated
17
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
18
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
mid- to late 1770s
19
George Romney, 1734–1802
Man and Horse
undated
20
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
21
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
22
George Romney, 1734–1802
Head of a Man
undated
23
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
1773-1775
24
George Romney, 1734–1802
A Man with a Horse, Possibly Ward Thomas
undated
25
George Romney, 1734–1802
Birth of Man
undated
26
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
1773-1774
27
George Romney, 1734–1802
Seated and Half-Kneeling Woman
undated
28
George Romney, 1734–1802
William Hayley
undated
29
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
30
George Romney, 1734–1802
River God
undated
31
George Romney, 1734–1802
Borghese Gladiator
undated
32
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
33
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
34
George Romney, 1734–1802
Seated Man and Seated Woman
undated
35
George Romney, 1734–1802
Studies for Portraits of a Man and of a Woman
undated
36
George Romney, 1734–1802
Standing Figure
undated
37
George Romney, 1734–1802
Tom Hayley and William Meyer
between 1749 and 1802
38
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
39
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
40
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
41
Benjamin West, 1738–1820
A Farm near Windsor
1789
42
Print made by George Arnald, 1763–1841
Choquer
1821
43
John Thomas Smith, 1766–1833
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
undated
44
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
45
Sir Joshua Reynolds, 1723–1792
Man at Window
undated
46
Robert Smirke, 1752–1845
Katherina and Grumio
1821
47
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
48
unknown artist
Portrait of a Man
undated
49
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
50
John Linnell, 1792–1882
Thomas Palmer
1813
51
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
52
Benjamin Robert Haydon, 1786–1846
Study of the Pieta
undated
53
Benjamin Robert Haydon, 1786–1846
Study of the Resurrection of Lazarus
undated
54
Henri Charles Guérard, 1846–1897
Portrait of Whistler
1888
55
Henri Charles Guérard, 1846–1897
Portrait of Whistler
ca. 1888
56
Henri Charles Guérard, 1846–1897
Portrait of Whistler
ca. 1888
57
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man in Blue Trousers
ca. 1835
58
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
59
unknown artist
Man
undated
60
unknown artist
Gondola and House: Venice
undated
61
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
62
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
63
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
64
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
65
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
66
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
67
Benjamin Robert Haydon, 1786–1846
Figure Studies of a Man Rising From the Ground
undated
68
Thomas Rowlandson, 1756–1827
Gardening
undated
69
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
70
George Alken, 1794–active 1837
Exercising a Racehorse
undated
71
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
72
William Heath, 1795–1840
Woodcock Shooting
undated
73
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
74
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
75
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
76
James Seymour, 1702–1752
Rider in Armour
undated
77
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
78
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
79
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
80
James Seymour, 1702–1752
Coursing - After the Kill
undated
81
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
82
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
83
James Seymour, 1702–1752
Conqueror Going to Start
undated
84
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
85
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
86
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
87
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
88
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
89
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
90
James Seymour, 1702–1752
Foxhunting
undated
91
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
92
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
93
James Seymour, 1702–1752
The Famous Childers
undated
94
James Seymour, 1702–1752
Victorious
undated
95
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
96
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
undated
97
Joseph Crawhall, 1861–1913
Horse and Rider: a Stout Huntsman on a Galloping Horse
undated
98
unknown artist
A Dangerous Leap
ca. 1850
99
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
100
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left