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St. Michael and Lucifer
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 x 6 1/4 inches (24.6 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Falstaff Disguised as Herne
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Two Boats with Crews, Study for The Royal William at Sea
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Brushed black ink, gray wash and graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 10 3/4 inches (14.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falstaff in the Boar's Head
Creator:
Robert Smirke, 1752–1845
Date:
1807
Materials & Techniques:
Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Salute
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Patna Gate and Monghyr Fort
Creator:
William Daniell, 1769–1837
Date:
1788
Materials & Techniques:
Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Royal Monument
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One of] Five Designs for a Church
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and brown and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 7/8 inches (38.4 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Gray wash and black ink with scratching out on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/4 inches (25.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View of a Sea Port
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 3/4 inches (27.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer
Ferdinand Reunited with his Father
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Siddons
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 7 3/4 inches (25.7 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection