Materials & Techniques: brown ink / Topic subjectplace ss: United Kingdom

201. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Carnarvon Castle

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 12 5/8 inches (23 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

203. Harwich, Essex

Creator:: William Daniell, 1769–1837
Date:: ca. 1820
Materials & Techniques:: Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. View of Sheerness

Creator:: François Louis Thomas Francia, 1772–1839
Date:: undated
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 6 3/8 x 12 inches (16.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Valley of the Conway

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on thick, moderately textured, beige cardtridge paper
Dimensions:: Sheet: 9 1/4 x 20 11/16 inches (23.5 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Bodmin Moor

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. The Woolpack Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Bridewell, The Pass Room, House of Correction

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/16 inches (19.4 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. A London Riot

Creator:: Charles Reuben Ryley, 1752–1798
Date:: undated
Materials & Techniques:: Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A View at Blackwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Hengar Wood, St. Tudy, Cornwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige wove support paper
Dimensions:: Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. View of the Church and Village of St. Cue, Cornwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1812
Materials & Techniques:: Watercolor with pen and gray and red brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 1/4 inches (17.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Market Place, Brackley, Northamptonshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 13/16 inches (20.6 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Embarkation at Southampton, June 20th 1794 (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. On the Wye

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

222. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1802
Materials & Techniques:: Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Design for Bridge over Great Western Road

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1826
Materials & Techniques:: Graphite, pen and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 7/16 × 8 15/16 inches (18.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. On the Conway River, North Wales

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 × 18 11/16 inches (34.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

227. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. The Slate Quarries at Bron Llwyd

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Craig y Ladron - The Thieves Precipice

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Stainborough Hall, Yorkshire: Three Floor Plans

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Stainborough Hall, Yorkshire: Front and Back Elevations

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Bush Hill, Edmonton, London: Plan of a Knot Garden

Creator:: unknown artist
Date:: 1713
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Design for Ardgowan House, Scotland: Attic Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Brechin Cathedral and round tower, Forfarshire, Scotland

Creator:: Edward Dayes, 1763–1804
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Hedingham Castle, Essex

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. The Island of Hoy, the Orkneys

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Stepping Stones on the River Duddon, Lake District

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Cookham on the Thames, Berkshire

Creator:: Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Matlock Baths, Derbyshire

Creator:: William Day, 1764–1807
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Windsor Castle

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Renard's Hole, Dovedale, Derbyshire

Creator:: William Day, 1764–1807
Date:: 1789
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Shipping off Staffa

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1842
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Head of Loch Fyne, with Dindarra Castle

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1850
Materials & Techniques:: Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Ashtead

Creator:: Attributed to Hon. Daniel Finch, 1789–1868
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 inches (20.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Valley of Rocks, Lynton, North Devon

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Matlock High Tor, Derbyshire

Creator:: John Emes, 1762–1810
Date:: ca. 1786
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. A View of Chatham from the West

Creator:: Jacob Esselens, 1626–1687
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 12 1/4 inches (18.7 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. A Church at Stanstead

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Banqueting House, Whitehall: Front Elevation

Creator:: Thomas Forster, ca. 1677–after 1712
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Great Bookham, Surrey

Creator:: Henry Edridge, 1769–1821
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Archiepiscopal Palace, Wrotham, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. At Ashford

Creator:: Attributed to Rev. Daniel Finch, 1757–1840
Date:: 1818
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Boxhill from Westhumble Lane

Creator:: Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 1/2 x 19 1/16in. (31.8 x 48.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Design for St. David, Pantasaph, Flintshire. East Elevation

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library

259. The Fair at Cheltenham

Creator:: Edward Eyre, active 1771–1792
Date:: 1775
Materials & Techniques:: Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 15 1/8 inches (24.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Slate Quarry at Widecombe, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1792
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. The Mouth of the Cavern at Castleton in the Peak of Derby

Creator:: John White Abbott, 1763–1851
Date:: 1791
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

263. A Scene in Derbyshire; Industrial Works spanning a River

Creator:: William Day, 1764–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 18 3/16 inches (30.6 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Shipping on the Medway, Kent

Creator:: François Louis Thomas Francia, 1772–1839
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 13 3/4 inches (18.1 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Gatehouse, Reading Abbey

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor with brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Figures on a Rocky River Bank at Canonteign, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1801
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. St. Davids Head, Pembrokeshire

Creator:: John Glover, 1767–1849
Date:: ca. 1805
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund

269. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Sections of Room under Painted Chamber

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Henry VII Chapel, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Two Studies of Clare College

Creator:: Colin Sorensen, active 1964–2001
Date:: 1964
Materials & Techniques:: Brown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. A Groom, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1816
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. The Banqueting House, Whitehall, from the River

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Fives played at the Tennis court Leicester Fields

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Cricket played by the Gentlemens Club, Whiteconduit House

Creator:: Robert Dighton, 1752–1814
Date:: 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Trap Ball Played at the Black Prince, Newington, Butts

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Four Corners Played at the Swan, Chelsea

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Plan and View of Room under the Painted Chamber

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Sections of Room under Painted Chamber

Creator:: Charles James Richardson, 1806–1871
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:: Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques brown ink

Topic subjectplace ss United Kingdom

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201. Regent Street, Looking Toward Piccadilly From Waterloo Place

202. Carnarvon Castle

203. Harwich, Essex

204. View of Sheerness

205. Valley of the Conway

206. The Exhibition Stare-Case, Somerset House

207. Kirkstall Abbey from the N.W.

208. Covent Garden Market

209. Bodmin Moor

210. The Woolpack Inn

211. Bridewell, The Pass Room, House of Correction

212. A London Riot

213. A View at Blackwall

214. Hengar Wood, St. Tudy, Cornwall

215. Drury Lane. The School for Scandal

216. A Burial at Carisbrooke, Isle of Wight

217. View of the Church and Village of St. Cue, Cornwall

218. The Market Place, Brackley, Northamptonshire

219. Embarkation at Southampton, June 20th 1794 (Version A)

220. Newbury Market Place, Berkshire

221. On the Wye

222. Ripon Minster, Yorkshire

223. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

224. The New Walk, York

225. Design for Bridge over Great Western Road

226. On the Conway River, North Wales

227. The Launching of H.M.S. 'Hibernia' 1804

228. Dr. John Fothergill

229. A Race Meeting at Newmarket Heath

230. The Slate Quarries at Bron Llwyd

231. Craig y Ladron - The Thieves Precipice

232. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

233. Stainborough Hall, Yorkshire: Three Floor Plans

234. Stainborough Hall, Yorkshire: Front and Back Elevations

235. Bush Hill, Edmonton, London: Plan of a Knot Garden

236. Design for Ardgowan House, Scotland: Attic Floor Plan

237. Courtyard of an Inn on the Thames

238. Brechin Cathedral and round tower, Forfarshire, Scotland

239. Hedingham Castle, Essex

240. The Island of Hoy, the Orkneys

241. Stepping Stones on the River Duddon, Lake District

242. Cookham on the Thames, Berkshire

243. Matlock Baths, Derbyshire

244. Windsor Castle

245. Renard's Hole, Dovedale, Derbyshire

246. Shipping off Staffa

247. The Head of Loch Fyne, with Dindarra Castle

248. Ashtead

249. Valley of Rocks, Lynton, North Devon

250. Matlock High Tor, Derbyshire

251. A View of Chatham from the West

252. A Church at Stanstead

253. Banqueting House, Whitehall: Front Elevation

254. Great Bookham, Surrey

255. Archiepiscopal Palace, Wrotham, Kent

256. At Ashford

257. Boxhill from Westhumble Lane

258. Design for St. David, Pantasaph, Flintshire. East Elevation

259. The Fair at Cheltenham

260. Slate Quarry at Widecombe, Devon

261. The Mouth of the Cavern at Castleton in the Peak of Derby

262. Windermere During the Regatta

263. A Scene in Derbyshire; Industrial Works spanning a River

264. Shipping on the Medway, Kent

265. The Gatehouse, Reading Abbey

266. Figures on a Rocky River Bank at Canonteign, Devon

267. The Courtyard of Mr. Bank's House, Northernhay, Exeter

268. St. Davids Head, Pembrokeshire

269. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

270. Part of the Construction in the Old House of Lords

271. Sections of Room under Painted Chamber

272. Drawing Room Ceiling, No. 3 Old Palace Yard

273. Ceiling of Front Parlor House in Old Palace Yard

274. Henry VII Chapel, Westminster Abbey