Materials & Techniques: brown ink - YCBA Collections Search Search Results

1601. Study for the View of Cambridge from Castle Hill

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1602. Port of Spain, from the Harbour

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 × 11 1/2 inches (16.2 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1603. Extensive View of Windsor Castle

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and gray ink, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 28 1/8 inches (22.5 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1604. Whampoa and the Canton River

Creator:: William Westall, 1781–1850
Date:: 1845
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 22 1/4 inches (20.3 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1605. Boulner, East Yarmouth

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, brown wash and gray wash on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 5 5/8 × 12 1/8 inches (14.3 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1606. Tree by Steps

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1607. A Cottage in the Isle of Wight

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured cream wove paper
Dimensions:: Sheet: 6 × 10 1/4 inches (15.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1608. Man Asleep with his Mouth Wide Open and Hands Crossed

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 3/8 × 4 3/4 inches (18.7 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1609. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1610. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1611. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1612. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1613. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1614. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1615. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1616. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1617. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1618. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1619. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1620. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1621. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1622. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1623. Portrait of a Girl Sketching

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1624. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1625. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1626. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1627. Interior of a Coppersmith's, Shoe Lane

Creator:: Henry William Burgess, active 1809–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1628. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1629. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1630. Caricature Self-Portrait

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink and red chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 5 3/8 inches (21.9 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1631. Allegory of Sea Trades

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 7/8 inches (9.2 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1632. The Needles, Isle of Wight

Creator:: Frederick Calvert, ca. 1785–ca. 1845
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/8in. (13 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1633. Ryde, Isle of Wight

Creator:: Frederick Calvert, ca. 1785–ca. 1845
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 5 1/4 × 8 1/4 inches (13.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1634. Culver Cliff, Sandown Bay, Isle of Wight

Creator:: Frederick Calvert, ca. 1785–ca. 1845
Date:: undated
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 5 x 8in. (12.7 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1635. Advanced Guard - Sunrise

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink, graphite, brown wash, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1636. A Study in Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1637. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1638. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1639. Self-Portrait with Two Young Men

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: between 1730 and 1740
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1640. Beach Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1641. Classical Scene

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, gum arabic, and scratcing out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 23 3/16 inches (44 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

1642. Headfort House: Moldings in the Hall

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 x 12 15/16 inches (53.1 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1643. Castle Fraser, Aberdeenshire, Scotland: West Elevation

Creator:: William Wilkins, 1778–1839
Date:: 1819
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 1/2 inches (34.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1644. Cowes, 3 February 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1645. West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 1/2 inches (9.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. Between West Cowes and Newport, 20 February 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 3/4 inches (11.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1647. Sketch of a Ship on a Stormy Sea

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 7 5/8 inches (9.8 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1648. From the White Hart, 29 February 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/4 inches (12.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1649. Distant View of West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 8 7/8 inches (18.4 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1650. Unidentified House for Giles Hudson, Putney, Surrey: Elevation of Drawing Room Fireplace

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 9 7/16 × 8 1/2 inches (24 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1651. Unidentified House for Giles Hudson, Putney, Surrey: Section of the New Apartments

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 8 5/8 × 9 3/8 inches (21.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1652. Unidentified House for Giles Hudson, Putney, Surrey: Entrance Front Elevation

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 8 3/8 × 8 7/8 inches (21.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. Study of a Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. Figure Studies of a Man Rising From the Ground

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 15/16 × 10 15/16 inches (17.6 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1655. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1656. The Tomb of Plautius, near Tivoli

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. At Tivoli, near Rome

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. A view of Vicovaro alias Vicus Varii

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/2 inches (27.6 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. The Convent of St. Cosimato, and part of the Claudian Aqueduct

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1660. View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, graphite, and white gouache on thick, moderately textured, blue gray wove paper
Dimensions:: Sheet: 8 1/2 × 13 13/16 inches (21.6 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1662. Chameleon and a Mammal

Creator:: unknown artist
Date:: 1829
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 11/16in. (26.7 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1663. White-faced Whistling Duck

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. A Bird

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 5 1/4 inches (21 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1665. Giant Antshrike

Creator:: James de Carle Sowerby, 1787–1871
Date:: 1825
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 5 1/4 inches (23.5 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1666. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1667. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

Creator:: John Linnell, 1792–1882
Date:: after 1812
Materials & Techniques:: Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1668. A Villa Near Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1669. One of the Entrances to Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1670. Jungfern Bridge

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1671. Sketch of a Public Building

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 9/16 inches (12.1 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. Sketch of an Ornate Doorway, With Columns, and Sculpture

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. Sketch of an Entry Gate

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. Study of a Stone Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. A Cutter and Other Shipping in a Breeze

Creator:: unknown artist
Date:: 1827-1828
Materials & Techniques:: Watercolor, pen and brown ink, blue ink, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 7 3/4 inches (14.8 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. A Merchantman Becalmed Offshore

Creator:: David Cox Jr., 1809–1885
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 13 1/2 inches (17 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1679. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1680. Gardening

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1681. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1682. Woman at a Square Piano

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 x 10 5/8 inches (16.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1683. A Struggle With a Load of Clay

Creator:: James Abbott Pasquier, active 1851–1872
Date:: 1855
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown wove paper
Dimensions:: Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1684. Landscape with Trees; a River in the Background

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, rough, beige wove paper
Dimensions:: Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1685. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1686. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1687. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1688. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1689. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1690. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Pen in brown ink, over graphite, with watercolor and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 8 7/16 inches (24.1 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1691. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1692. Foxhunting: Rider, Taking a Fence

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1693. Exercising a Racehorse

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1694. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1695. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1696. "Doing the Thing: and the Thing Done:" Doing it No How

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1697. "Doing the Thing: and the Thing Done:" Doing the Down Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1698. "Doing the Thing: and the Thing Done:" The Down Leap Done

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1699. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1700. "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 3/16 inches (18.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1601. Study for the View of Cambridge from Castle Hill

1602. Port of Spain, from the Harbour

1603. Extensive View of Windsor Castle

1604. Whampoa and the Canton River

1605. Boulner, East Yarmouth

1606. Tree by Steps

1607. A Cottage in the Isle of Wight

1608. Man Asleep with his Mouth Wide Open and Hands Crossed

1609. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1610. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

1611. Street Scene at Stratford by Bow

1612. Hogarth Declaring His Love to Miss Thornhill

1613. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1614. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1615. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1616. The Smock Exposed

1617. The Reconcilation

1618. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1619. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1620. Hogarth Drawing Sarah Malcolm

1621. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1622. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1623. Portrait of a Girl Sketching

1624. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1625. Hogarth Sitting to Roubiliac for His Bust

1626. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1627. Interior of a Coppersmith's, Shoe Lane

1628. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1629. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1630. Caricature Self-Portrait

1631. Allegory of Sea Trades

1632. The Needles, Isle of Wight

1633. Ryde, Isle of Wight

1634. Culver Cliff, Sandown Bay, Isle of Wight

1635. Advanced Guard - Sunrise

1636. A Study in Pinks and Roses

1637. A Study of Pinks and Roses

1638. A Study of Pinks and Roses

1639. Self-Portrait with Two Young Men

1640. Beach Scene

1641. Classical Scene

1642. Headfort House: Moldings in the Hall

1643. Castle Fraser, Aberdeenshire, Scotland: West Elevation

1644. Cowes, 3 February 1826

1645. West Cowes, Isle of Wight

1646. Between West Cowes and Newport, 20 February 1826

1647. Sketch of a Ship on a Stormy Sea

1648. From the White Hart, 29 February 1826

1649. Distant View of West Cowes, Isle of Wight

1650. Unidentified House for Giles Hudson, Putney, Surrey: Elevation of Drawing Room Fireplace

1651. Unidentified House for Giles Hudson, Putney, Surrey: Section of the New Apartments

1652. Unidentified House for Giles Hudson, Putney, Surrey: Entrance Front Elevation

1653. Study of a Male Nude

1654. Figure Studies of a Man Rising From the Ground

1655. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

1656. The Tomb of Plautius, near Tivoli

1657. At Tivoli, near Rome

1658. A view of Vicovaro alias Vicus Varii

1659. The Convent of St. Cosimato, and part of the Claudian Aqueduct

1660. View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul

1661. Government House from St. Andrew's Library - Calcutta

1662. Chameleon and a Mammal

1663. White-faced Whistling Duck

1664. A Bird

1665. Giant Antshrike

1666. View on Exmoor

1667. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

1668. A Villa Near Potsdam

1669. One of the Entrances to Potsdam

1670. Jungfern Bridge

1671. Sketch of a Public Building

1672. Sketch of an Ornate Doorway, With Columns, and Sculpture

1673. Sketch of an Entry Gate

1674. Study of a Stone Mausoleum

1675. A Cutter and Other Shipping in a Breeze