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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- A Lake in Norway
- ca. 1825
2
- Subterranean Pool with Sculptural Torchere
- undated
3
- The Haunted Wood
- undated
4
- Dawn
- between 1831 and 1832
5
- Trees and Deer
- 1825
6
- Study for Cottage in Cornfield, East Bergholt
- ca. 1833
7
- Study of Waves
- undated
8
- A Pastoral Scene
- 1835
9
- Rome from San Spirito
- undated
10
- A Moonlit Scene with a Winding River
- ca. 1827
11
- Study of a Pilgrim
- undated
12
- Boxhill
- 1868
13
- An Ancient Barn at Shoreham
- undated
14
- Study of Old Buildings
- undated
15
- Landscape Sketch
- undated
16
- Shipping Scene, with Fishermen
- between 1815 and 1820
17
- The Straw Yard
- 1808
18
- Turin, Italy
- after 1872
19
- Albania
- between 1848 and 1849
20
- The Pontine Marshes above Terracina
- ca. 1880
21
- Bavella, Corsica
- ca. 1868
22
- Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
- 1802-1804
23
- Landscape of Trees, and Ruins
- 1802-1804
24
- A Tower Ruin, With Mount Parnasus in the Distance
- 1802-1804
25
- Inscriptions in Greek Alphabet
- 1802-1804
26
- Girgenti
- 1802-1804
27
- Girgenti, in Sicily, to the South
- 1802-1804
28
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
29
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
30
- Ruins at Capua
- 1802-1804
31
- Temple of Concordia
- 1802-1804
32
- Fragment of the Capital of a Pillar
- 1804
33
- Study of a Stone Wall
- 1802-1804
34
- Architectural Sketch of Building with Doric Columns
- 1802-1804
35
- Raised Carving of a Sundial on a Wall
- 1802-1804
36
- Palazzo di Vicenza
- 1802-1804
37
- Porch to a Private House in Padua
- 1802-1804
38
- Powder Tower, One of the Original City Gates into the City of Prague
- 1802-1804
39
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
40
- A Villa Near Potsdam
- 1802-1804
41
- One of the Entrances to Potsdam
- 1804
42
- The Buildings in Front of Sanssouci
- 1802-1804
43
- A Shop in Berlin
- 1804
44
- Near Potsdam
- 1802-1804
45
- In the Friedrich's Shape
- 1802-1804
46
- Part of the Exchange Building
- 1802-1804
47
- Jungfern Bridge
- 1802-1804
48
- An Official Building
- 1802-1804
49
- Sketch of the Finished Part of One of the Public Buildings
- 1802-1804
50
- Sketch of a Tombstone
- 1802-1804
51
- Sketch of a Carved Female Figure on Top of a Gravestone
- 1802-1804
52
- Tombstone
- 1802-1804
53
- Tombstone
- 1802-1804
54
- Sketch of Three Standing Gravestones
- 1802-1804
55
- Sketch of an Ornate Tombstone
- 1802-1804
56
- Threee Ornate Tombstones
- 1802-1804
57
- Tombstone
- 1802-1804
58
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
59
- Via Mala
- 1896
60
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
61
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
62
- Hogarth Declaring His Love to Miss Thornhill
- 1817
63
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
64
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
65
- The Smock Exposed
- 1817
66
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
67
- The Reconcilation
- 1817
68
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
69
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
70
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
71
- Margate Hoy
- 1807
72
- Fulham Palace, Porter's Lodge
- undated
73
- Totnes from the Seymour Hotel
- 1838
74
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
75
- Cheyne Walk, Old Chelsea
- 1861
76
- Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk
- undated
77
- Interior of a Coppersmith's, Shoe Lane
- undated
78
- Preparatory drawing for The Waltz
- 1820s
79
- Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
- 1833
80
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
81
- The Old Double Bridge, Bury St. Edmunds
- 1833
82
- Shopping in the Rows, Chester
- 1837
83
- Scene from Quentin Durward
- 1833
84
- John Gilpin in the Uxbridge Passage Boat
- 1820s
85
- Nemi
- 1824
86
- Wayfarers
- undated
87
- The Villa Adrianna, Rome
- 1824
88
- A Sheet of Sketches - Theatrical Studies
- undated
89
- Fish Market, Hastings
- 1824
90
- Portrait Study of Martha, Lady Hayter
- 1863
91
- Wreck and the Merchant Vessel, St. George, at Deal, Kent
- 1807
92
- Shakespeare House, Aldersgate Street
- undated
93
- The Fight Interrupted
- undated
94
- Wood Cutters
- undated
95
- Anne Page and Slender
- 1821
96
- Prospero and Ariel
- 1821
97
- Falstaff Instructing Bardolph
- 1825
98
- Falstaff Dragging the Body of Hotspur
- 1825
99
- Studies after Anthony van Dyck's Portrait of Arthur Goodwin
- 1825
100
- Carlisle Bay, Barbados
- ca. 1820