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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type drawing
Remove constraint Work Type: drawingSearch Results
1
- A Lake in Norway
- ca. 1825
2
- Subterranean Pool with Sculptural Torchere
- undated
3
- The Haunted Wood
- undated
4
- Dawn
- between 1831 and 1832
5
- Trees and Deer
- 1825
6
- Study for Cottage in Cornfield, East Bergholt
- ca. 1833
7
- Study of Waves
- undated
8
- A Pastoral Scene
- 1835
9
- Rome from San Spirito
- undated
10
- A Moonlit Scene with a Winding River
- ca. 1827
11
- Study of a Pilgrim
- undated
12
- Boxhill
- 1868
13
- An Ancient Barn at Shoreham
- undated
14
- Study of Old Buildings
- undated
15
- Landscape Sketch
- undated
16
- Benjamin Read
- ca. 1757
17
- Shipping Scene, with Fishermen
- between 1815 and 1820
18
- Turin, Italy
- after 1872
19
- Albania
- between 1848 and 1849
20
- The Pontine Marshes above Terracina
- ca. 1880
21
- Bavella, Corsica
- ca. 1868
22
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
23
- Mythological Group of Women and Children
- undated
24
- Studies of a Seated Woman
- undated
25
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
26
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
27
- Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
- 1802-1804
28
- Landscape of Trees, and Ruins
- 1802-1804
29
- A Tower Ruin, With Mount Parnasus in the Distance
- 1802-1804
30
- Inscriptions in Greek Alphabet
- 1802-1804
31
- Girgenti
- 1802-1804
32
- Girgenti, in Sicily, to the South
- 1802-1804
33
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
34
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
35
- Ruins at Capua
- 1802-1804
36
- Temple of Concordia
- 1802-1804
37
- Fragment of the Capital of a Pillar
- 1804
38
- Study of a Stone Wall
- 1802-1804
39
- Architectural Sketch of Building with Doric Columns
- 1802-1804
40
- Raised Carving of a Sundial on a Wall
- 1802-1804
41
- Palazzo di Vicenza
- 1802-1804
42
- Porch to a Private House in Padua
- 1802-1804
43
- Powder Tower, One of the Original City Gates into the City of Prague
- 1802-1804
44
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
45
- A Villa Near Potsdam
- 1802-1804
46
- One of the Entrances to Potsdam
- 1804
47
- The Buildings in Front of Sanssouci
- 1802-1804
48
- A Shop in Berlin
- 1804
49
- Near Potsdam
- 1802-1804
50
- In the Friedrich's Shape
- 1802-1804
51
- Part of the Exchange Building
- 1802-1804
52
- Jungfern Bridge
- 1802-1804
53
- An Official Building
- 1802-1804
54
- Sketch of the Finished Part of One of the Public Buildings
- 1802-1804
55
- Sketch of a Tombstone
- 1802-1804
56
- Sketch of a Carved Female Figure on Top of a Gravestone
- 1802-1804
57
- Tombstone
- 1802-1804
58
- Tombstone
- 1802-1804
59
- Sketch of Three Standing Gravestones
- 1802-1804
60
- Sketch of an Ornate Tombstone
- 1802-1804
61
- Threee Ornate Tombstones
- 1802-1804
62
- Tombstone
- 1802-1804
63
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
64
- Ducal Palace of Urbino in Marche, Italy
- 1777 to 1778
65
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
66
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
67
- Hogarth Declaring His Love to Miss Thornhill
- 1817
68
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
69
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
70
- The Smock Exposed
- 1817
71
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
72
- The Reconcilation
- 1817
73
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
74
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
75
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
76
- A Valley
- between 1775 and 1780
77
- Portrait of a Gentleman
- undated
78
- Design for Wall Paper
- ca. 1760
79
- Sheet of Classical Figure Studies
- undated
80
- Margate Hoy
- 1807
81
- A Study for the Wellington Monument
- undated
82
- A Tree Struck by Lightning
- undated
83
- James Gandon and Family
- 1780
84
- St. Michael and Lucifer
- undated
85
- Characters in the Streets of London
- 1799
86
- Man Leading a Horse
- undated
87
- Fulham Palace, Porter's Lodge
- undated
88
- Design for an Ornamental Cartouche: Samuel Garth
- undated
89
- Totnes from the Seymour Hotel
- 1838
90
- Achilles Lamenting the Death of Patroclus
- between 1760 and 1763
91
- Tournon Opposite to Teint on the Rhone
- ca. 1780
92
- On the Rhone
- ca. 1780
93
- Lake Morat from Avenches
- ca. 1780
94
- An Arch in the Vault of an Overgrown Ruin
- ca. 1780
95
- A View from Peterborough Tower at Tangier
- 1669
96
- A Soldier on Horseback
- undated
97
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
98
- Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
- ca. 1690
99
- Cheyne Walk, Old Chelsea
- 1861
100
- Flying the Kite
- ca. 1740