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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washOn-site Access Accessible by appointment in the Study Room
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1
- Study of a Pilgrim
- undated
2
- A Pastoral Scene
- 1835
3
- Two Children Embracing
- undated
4
- Female Figures
- undated
5
- Slight Group of Figures
- undated
6
- Shepherdess Cutting an Inscription on a Tree
- late 1770s
7
- Three Young Witches
- undated
8
- Seated Woman
- undated
9
- Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
- late 1770s
10
- A Farm near Windsor
- 1789
11
- A Good-bye
- undated
12
- Road Workers, near Lillebonne
- undated
13
- Study for "Propping the Rick; a Stormy Day"
- ca. 1911
14
- The Life of a Nobleman: Scene the Fifth - The Gambling House
- undated
15
- View at Valmontone. November 1790
- 1790
16
- View on the Liris near Isola
- 1790
17
- View on the Liris at Isola di Sora
- 1790
18
- View on the river Liris, near Isola
- 1790
19
- View on the River Liris near Isola
- 1790
20
- View near Sora on the Liris
- 1790
21
- Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
- 1791
22
- View on the river Liris, near Isola
- 1790
23
- View on the river Vulturnus, Sept.r 1790
- 1790
24
- View in Abruzzo, May 1791
- 1791
25
- Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
- 1790
26
- View on the river Vulturnus, Sept.r 1790
- 1790
27
- Ferry over the river Vulturnus, Sept.r 1790
- 1790
28
- A Mill at Marino, near Rome
- 1786 to 1819
29
- The Pont du Gard in Languedoc
- 1786 to 1819
30
- A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
- 1786 to 1819
31
- Ferry over the Vulturnus, Sept.r 1790
- 1790
32
- At Marino, near Rome
- 1786 to 1819
33
- A Convent at Albano overlooking the Campagna
- 1786 to 1819
34
- An Ancient Sepulchre at Albano
- 1786 to 1819
35
- At Larici near Albano in Italy
- 1786 to 1819
36
- An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
- 1786 to 1819
37
- The Lake of Nemi called Speculum Diane
- 1786 to 1819
38
- The Town and Lake of Nemi, in Italy
- 1786 to 1819
39
- The Capuchin Convent at Gensano
- 1786 to 1819
40
- At Tivoli, near Rome
- 1786 to 1819
41
- The Tomb of Plautius etc near Tivoli
- 1786 to 1819
42
- At Tivoli, near Rome
- 1786 to 1819
43
- Neptune's Grotto at Tivoli
- 1786 to 1819
44
- At Tivoli, near Rome
- 1786 to 1819
45
- Remains of the Claudian Aqueduct near Tivoli
- 1786 to 1819
46
- View of Vicovaro, obin, Vicus Varii
- 1786 to 1819
47
- Villa of Macenas at Tivoli
- 1786 to 1819
48
- Thatched Roof and Tree
- undated
49
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
50
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
51
- London Cries: Small Coal or Brushes
- ca. 1759
52
- London Cries: All Fire and No Smoke
- ca. 1759
53
- London Cries: A Man with a Bottle
- ca. 1759
54
- London Cries: A Man Swaggering
- undated
55
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
56
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
57
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
58
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
59
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
60
- The Smock Exposed
- 1817
61
- The Reconcilation
- 1817
62
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
63
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
64
- Hogarth Drawing Sarah Malcolm
- 1817
65
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
66
- Hogarth Sitting to Roubiliac for His Bust
- 1817
67
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
68
- Interior of a Coppersmith's, Shoe Lane
- undated
69
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
70
- Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
- 1790
71
- The Tomb of Plautius, near Tivoli
- 1786 to 1819
72
- At Tivoli, near Rome
- 1786 to 1819
73
- Group de Fermiers
- undated
74
- An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
- undated
75
- Two Riders Seen from Behind, Oct. 10, 1822
- 1822
76
- A Stage Coach Outside of the Entrance of an Inn
- undated
77
- Johnny and His Pony
- 1836
78
- Light Dragoon, Mounted, Facing Left
- undated
79
- Standing Figure of a Young Man
- undated
80
- Two Girls Seated
- undated
81
- Two Laden Hay Carts With Horses
- undated
82
- Figures in a Doorway
- undated
83
- A Travelling Coach and Pair
- undated
84
- The Stable of an Inn
- ca. 1790
85
- Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
- ca. 1740
86
- Characters in the Streets of London
- 1799
87
- Figures in Boats
- undated
88
- Utensils
- between 1790 and 1796
89
- Harwich, Essex
- ca. 1820
90
- The Life of a Nobleman: Scene the First - The Inheritance
- undated
91
- The Life of a Nobleman: Scene the Second - The First Party
- undated
92
- The Life of a Nobleman: Scene the Third - The Night House
- undated
93
- The Life of a Nobleman: Scene the Fourth - The Betting Booth
- undated
94
- The Life of a Nobleman: Scene the Sixth - The Usurer
- undated
95
- The Life of a Nobleman: Scene the Seventh - The Mess Room
- undated
96
- The Life of a Nobleman: Scene the Eighth - The Duel
- undated
97
- The Life of a Nobleman: Scene the Ninth - The Sick Room
- undated
98
- Bottom of Sword Sheath
- undated
99
- Design for an Ornamental Cartouche: Samuel Garth
- undated
100
- Classical Composition
- undated