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Materials & Techniques brown wash

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Period 19th century

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Subject Terms man

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1. Study of a Pilgrim

Study of a Pilgrim
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. She Never Told Her Love, But Sat Like Patience on a Monument

She Never Told Her Love, But Sat Like Patience on a Monument
Creator:
Robert Smirke, 1752–1845
Date:
1827
Materials & Techniques:
Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Katherina and Grumio

Katherina and Grumio
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Launce with his Dog Crab

Launce with his Dog Crab
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 1/2in. (20.6 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Thomas Palmer

Thomas Palmer
Creator:
John Linnell, 1792–1882
Date:
1813
Materials & Techniques:
Brown ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 x 5 7/8 inches (8.9 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
Creator:
John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Two Riders Seen from Behind, Oct. 10, 1822

Two Riders Seen from Behind, Oct. 10, 1822
Creator:
Sir David Wilkie, 1785–1841
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Anne Page and Slender

Anne Page and Slender
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Prospero and Ariel

Prospero and Ariel
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Lysander Awakening to See Helena

Lysander Awakening to See Helena
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Fight Interrupted

The Fight Interrupted
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Fish Ponds

The Fish Ponds
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

Studies after Anthony van Dyck's Portrait of Arthur Goodwin
Creator:
James Ward, 1769–1859
Date:
1825
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Expulsion from Eden

Expulsion from Eden
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:
Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

18. The Good-Natured Dadda

The Good-Natured Dadda
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 4 7/8 inches (14.6 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Domfront, Looking to the South East

Domfront, Looking to the South East
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Portrait of a Scholar

Portrait of a Scholar
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Graphite and brown wash on medium slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 5 1/2 inches (17.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Holt Heath, near Norwich

Holt Heath, near Norwich
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 6 5/8 x 11 3/8 inches (16.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Ariadne Watching the Struggle of Theseus with the Minotaur

Ariadne Watching the Struggle of Theseus with the Minotaur
Creator:
Henry Fuseli, 1741–1825
Date:
1815 to 1820
Materials & Techniques:
Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection