Materials & Techniques: brown wash / Period: 19th century - YCBA Collections Search Search Results

401. Abbey Church at Fecamp, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1818
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 5/8 x 11 3/8 inches (39.7 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Holt Heath, near Norwich

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:: Sheet: 6 5/8 x 11 3/8 inches (16.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

403. Round Tower, Castle of Lillebonne, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1822
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 5/8 inches (27.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Aylmerton Church; Norfolk, from the South-West

Creator:: John Sell Cotman, 1782–1842
Date:: 1816
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Knapton Church, Norfolk, from the North-East

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 10 1/2 inches (17.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. View of the Donjon of Château Gaillard, near Andelys, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Church of Yainville, near Saint Georges de Bocherville, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. East End of the Abbey Church of St. Paul at Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Part of the Old Fortifications at Saint Lo, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 5/8 inches (30.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Interior of the Chapel of Saint Julien, near Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1818
Materials & Techniques:: Graphite, brown wash, and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/8 inches (24.1 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Design for a Cartouche: an Eagle Holding a Shield

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, watercolor, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 13 5/8 inches (29.5 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite, brown wash, and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 x 13 1/4 inches (23.8 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Domfront, Looking to the South East

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Coast Scene with a Castle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: ca. 1827
Materials & Techniques:: Brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 11 5/8 inches (22.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Study for Quay at Straddon Point Near Plymouth

Creator:: William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

418. Design for a Monument for the North British Insurance Company

Creator:: Richard Corbould, 1757–1831
Date:: ca. 1827
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

419. Landscape with Windmill

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Watercolor, brown wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 14 1/2 inches (21 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Lady Macartney's Villa at Chiswick

Creator:: William Alexander, 1767–1816
Date:: after 1808
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Temple of Aphaia at Aegina: Molding Details

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Landscape with Windmill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite with gray and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 4 5/8 inches (7.6 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Design for Approaches to London Bridge

Creator:: Charles Robert Cockerell, 1788–1863
Date:: ca. 1830
Materials & Techniques:: Graphite and pen with brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 17 3/4 inches (24.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. The Temple of Aphaia at Aegina: Two Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Graphite, pen and gray ink and brown wash within single black ink border on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. The Temple of Apollo Epikourios: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. The Temple of Apollo Epikourios: Section through the Cella

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815

Creator:: James Pattison Cockburn, 1779–1847
Date:: 1815
Materials & Techniques:: Pen and brown ink and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 10 1/8 inches (9.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Hussars

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Brown ink, brown wash, and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Sillian Tyrol, July 11, 1821

Creator:: Rev. Charles Annesley, 1787–1863
Date:: 1821
Materials & Techniques:: Brown wash, gray wash, blue wash, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/4 inches (24.1 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Lulworth Cove

Creator:: William Daniell, 1769–1837
Date:: ca. 1813
Materials & Techniques:: Watercolor with brown wash and gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card
Dimensions:: Contemporary drawn border: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Design for the Hermitage, Virginia Water

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 7/8 × 12 1/2 inches (20 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Olivia and Maria

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Expulsion from Eden

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:: Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

434. Classical City in Landscape

Creator:: John Martin, 1789–1854
Date:: 1816
Materials & Techniques:: Brown wash with pen and black ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:: Mount: 8 1/4 x 11 1/16 inches (21 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

435. Plan of St. James's Market

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 3/8 inches (7.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Entrance to the Hudson Highlands

Creator:: William Henry Bartlett, 1809–1854
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

437. Ruined Abbey

Creator:: Thomas Crofton Croker, 1798–1854
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

438. Houses at Kilmallock

Creator:: Thomas Crofton Croker, 1798–1854
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

439. Illustration for The New Doll: The Doll brought Home

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

440. Illustration for The New Doll: Sewing Clothes for the Doll

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

441. Ilustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

442. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite, pen and black ink, gouache, and brown wash (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

444. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Castello Malespina Appennines

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Pen and brown ink, brown wash, gum arabic, graphite, gouache, and scratching out on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Sorrento

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 8 11/16 inches (33.3 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Sorrento Gate

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 inches (21.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. The Colosseum, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 × 18 7/8 inches (30.5 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. An Execution, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Running Woman

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 13 1/16in. (47.9 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

453. The Moonlit Lake

Creator:: attributed to Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Lyme Regis, Dorsetshire, a Squall

Creator:: Thomas Sully, 1783–1872
Date:: undated
Materials & Techniques:: Watercolor, graphite and brown wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 11/16 × 10 3/4 inches (17 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 13 5/8 inches (19.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The Blessing of the Suez Canal, November 16, 1869

Creator:: William Simpson, 1823–1899
Date:: after 1869
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Caernarvon Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 19 1/2 inches (31.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Caernarvon (Castle) Eagle Tower

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1809
Materials & Techniques:: Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Pen and brown ink, brown wash, sponging, gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/16 inches (26 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/16 × 15 1/4 inches (24 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Brown wash, pen and rown ink, over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/16 x 16 5/16in. (25.9 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Ruins (Roman?)

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/2in. (29.2 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Two Temple Ruins with Studies

Creator:: Isaac Weld, 1774–1856
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 29 7/8 inches (50.2 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Classical Landscape with Temple

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. "After Pinnelli" (Group of Peasants Outside a House)

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 5/8in. (19.8 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Archers Stalking a Stag

Creator:: John Martin, 1789–1854
Date:: 1821
Materials & Techniques:: Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. The Life of a Nobleman: Scene the First - The Inheritance

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 3/8 inches (19.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. The Life of a Nobleman: Scene the Third - The Night House

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. The Life of a Nobleman: Scene the Fourth - The Betting Booth

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Thomas Palmer

Creator:: John Linnell, 1792–1882
Date:: 1813
Materials & Techniques:: Brown ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 5 7/8 inches (8.9 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink and brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 7/8 inches (11.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

473. Malvolio Dancing

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. The Viaduct over the Sankey Canal

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Chat Moss

Creator:: Isaac Shaw, active 1830
Date:: undated
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Railway Office, Liverpool

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Bridge over the Irwell and Entrance into Manchester

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. An Island with Returning Birds at Nightfall

Creator:: William West of Clifton near Bristol, 1801–1861
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Portrait Studies

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 7 11/16 inches (30.8 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Study of Two Figures and Two Legs

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Study for Napoleon Bonaparte

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. View on the River Liris at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Stephano and Trinculo with Caliban

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Bust of Shakespeare

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.2 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Falstaff with Mistress Quickly and Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Oberon and Puck

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 7/16 inches (19.1 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. The Death of Ophelia

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Study for Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: ca. 1863
Materials & Techniques:: Brown wash with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

499. Coast Scene

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk, brown wash, gray wash, and gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

500. West View of Rhyddlan Castle

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1809
Materials & Techniques:: Brown wash and graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

YCBA Collections Search

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Materials & Techniques brown wash

Period 19th century

Search Results

401. Abbey Church at Fecamp, Normandy

402. Holt Heath, near Norwich

403. Round Tower, Castle of Lillebonne, Normandy

404. Aylmerton Church; Norfolk, from the South-West

405. Knapton Church, Norfolk, from the North-East

406. View of the Donjon of Château Gaillard, near Andelys, Normandy

407. Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux

408. Church of Yainville, near Saint Georges de Bocherville, Normandy

409. South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy

410. East End of the Abbey Church of St. Paul at Rouen, Normandy

411. Part of the Old Fortifications at Saint Lo, Normandy

412. Interior of the Chapel of Saint Julien, near Rouen, Normandy

413. Design for a Cartouche: an Eagle Holding a Shield

414. Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy

415. Domfront, Looking to the South East

416. Coast Scene with a Castle

417. Study for Quay at Straddon Point Near Plymouth

418. Design for a Monument for the North British Insurance Company

419. Landscape with Windmill

420. Lady Macartney's Villa at Chiswick

421. The Temple of Aphaia at Aegina: Molding Details

422. Landscape with Windmill

423. Design for Approaches to London Bridge

424. The Temple of Aphaia at Aegina: Two Elevations

425. The Temple of Apollo Epikourios: Front Elevation

426. The Temple of Apollo Epikourios: Section through the Cella

427. Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815

428. Hussars

429. Sillian Tyrol, July 11, 1821

430. Lulworth Cove

431. Design for the Hermitage, Virginia Water

432. Olivia and Maria

433. Expulsion from Eden

434. Classical City in Landscape

435. Plan of St. James's Market

436. Entrance to the Hudson Highlands

437. Ruined Abbey

438. Houses at Kilmallock

439. Illustration for The New Doll: The Doll brought Home

440. Illustration for The New Doll: Sewing Clothes for the Doll

441. Ilustration for The New Doll: Untitled

442. She Never Told Her Love, But Sat Like Patience on a Monument

443. The "Victory" Coming Up Channel

444. Dunloh Castle, Killarney, Ireland

445. Castello Malespina Appennines

446. Sorrento

447. Sorrento Gate

448. The Colosseum, Rome

449. An Execution, Rome

450. Running Woman

451. Government House from St. Andrew's Library - Calcutta

452. Illustration for The New Doll: Untitled

453. The Moonlit Lake

454. Lyme Regis, Dorsetshire, a Squall

455. Designs for Gothic Ornamentation

456. The Blessing of the Suez Canal, November 16, 1869

457. Caernarvon Castle

458. Caernarvon (Castle) Eagle Tower

459. Harlech Castle

460. Harlech Castle

461. Harlech Castle

462. Ruins (Roman?)

463. Two Temple Ruins with Studies

464. Classical Landscape with Temple

465. "After Pinnelli" (Group of Peasants Outside a House)

466. After Pinnelli - Group of Peasants Outside a Church

467. Archers Stalking a Stag

468. The Life of a Nobleman: Scene the First - The Inheritance

469. The Life of a Nobleman: Scene the Third - The Night House

470. The Life of a Nobleman: Scene the Fourth - The Betting Booth

471. Thomas Palmer

472. Illustration for The New Doll: Untitled

473. Malvolio Dancing

474. Opening of the Liverpool and Manchester Railway