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Materials & Techniques brown wash
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101
- Near Potsdam
- 1802-1804
102
- In the Friedrich's Shape
- 1802-1804
103
- Part of the Exchange Building
- 1802-1804
104
- Jungfern Bridge
- 1802-1804
105
- An Official Building
- 1802-1804
106
- Sketch of the Finished Part of One of the Public Buildings
- 1802-1804
107
- Sketch of a Tombstone
- 1802-1804
108
- Sketch of a Carved Female Figure on Top of a Gravestone
- 1802-1804
109
- Tombstone
- 1802-1804
110
- Tombstone
- 1802-1804
111
- Sketch of Three Standing Gravestones
- 1802-1804
112
- Sketch of an Ornate Tombstone
- 1802-1804
113
- Threee Ornate Tombstones
- 1802-1804
114
- Tombstone
- 1802-1804
115
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
116
- Ducal Palace of Urbino in Marche, Italy
- 1777 to 1778
117
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
118
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
119
- Hogarth Declaring His Love to Miss Thornhill
- 1817
120
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
121
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
122
- The Smock Exposed
- 1817
123
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
124
- The Reconcilation
- 1817
125
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
126
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
127
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
128
- A Valley
- between 1775 and 1780
129
- Portrait of a Gentleman
- undated
130
- Design for Wall Paper
- ca. 1760
131
- Sheet of Classical Figure Studies
- undated
132
- Margate Hoy
- 1807
133
- A Study for the Wellington Monument
- undated
134
- A Tree Struck by Lightning
- undated
135
- James Gandon and Family
- 1780
136
- St. Michael and Lucifer
- undated
137
- Characters in the Streets of London
- 1799
138
- Man Leading a Horse
- undated
139
- Fulham Palace, Porter's Lodge
- undated
140
- Design for an Ornamental Cartouche: Samuel Garth
- undated
141
- Alcibiades and Timon
- undated
142
- Totnes from the Seymour Hotel
- 1838
143
- Achilles Lamenting the Death of Patroclus
- between 1760 and 1763
144
- Tournon Opposite to Teint on the Rhone
- ca. 1780
145
- On the Rhone
- ca. 1780
146
- Lake Morat from Avenches
- ca. 1780
147
- An Arch in the Vault of an Overgrown Ruin
- ca. 1780
148
- A View from Peterborough Tower at Tangier
- 1669
149
- A Soldier on Horseback
- undated
150
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
151
- Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
- ca. 1690
152
- Cheyne Walk, Old Chelsea
- 1861
153
- Flying the Kite
- ca. 1740
154
- Battledore and Shuttlecock
- ca. 1740
155
- Bull Attacking Mastiff
- undated
156
- Bear and Bee-Hives
- undated
157
- Lion and Lioness Attacking a Steer
- undated
158
- Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk
- undated
159
- The Blacksmith
- undated
160
- Interior of a Blacksmith's Forge
- undated
161
- Chantrey's Studio
- undated
162
- Portentous Things
- undated
163
- Interior of a Coppersmith's, Shoe Lane
- undated
164
- Trees Overhanging a River
- undated
165
- Relief Design for a Silver Salt Cellar
- undated
166
- Design for a portrait of an architect or a painter
- undated
167
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
168
- Portrait of a Young Lady as a Shepherdress
- undated
169
- John Britton, F.S.A
- ca. 1820
170
- A Scene at Windsor
- undated
171
- Preparatory drawing for The Waltz
- 1820s
172
- Unique Specimens of Mineralogy
- undated
173
- The Virtuous Family
- ca. 1790
174
- Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
- 1833
175
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
176
- Preparatory Study for the decoration "Equestrian Portrait of George I"
- undated
177
- Cascade of Buffalora
- undated
178
- The Long Minuet as Danced at Bath
- after 1787
179
- Falstaff Disguised as Herne
- undated
180
- Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
- undated
181
- The Old Double Bridge, Bury St. Edmunds
- 1833
182
- Commander with Aides on Horseback Directing a Battle
- undated
183
- Male with Arms Spread Wide Seen from Behind
- undated
184
- Study of a Cow
- undated
185
- The Stoning of St. Stephen
- undated
186
- Castell Dinas Brân, Wales
- ca. 1771
187
- Convent at Valmontone. November 1790
- 1790
188
- Loading Sacks into a Cart
- undated
189
- Washerwomen
- between 1790 and 1805
190
- Shopping in the Rows, Chester
- 1837
191
- Scene from Quentin Durward
- 1833
192
- John Gilpin in the Uxbridge Passage Boat
- 1820s
193
- Three Figure Studies
- undated
194
- Design for Stables: Plan and Elevation
- undated
195
- Two Prize Fighters
- ca. 1742
196
- Solitude, The Reading Magdalene
- undated
197
- Nemi
- 1824
198
- Wayfarers
- undated
199
- The Villa Adrianna, Rome
- 1824
200
- Andromache Mourning the Death of Hector
- between 1760 and 1763