Materials & Techniques: brown wash / Height [cm]: 20 / Subject Terms: genre subject

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Fifth - The Gambling House

undated

Paul Sandby, 1731–1809

London Cries: Throws for a Ha'penny Have You a Ha'penny

undated

Paul Sandby, 1731–1809

London Cries: Small Coal or Brushes

ca. 1759

Paul Sandby, 1731–1809

London Cries: All Fire and No Smoke

ca. 1759

Paul Sandby, 1731–1809

London Cries: A Man with a Bottle

ca. 1759

Paul Sandby, 1731–1809

London Cries: A Man Swaggering

undated

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817