Sketch of the Finished Part of One of the Public Buildings
1802-1804
108
Sir Robert Smirke the younger, 1781–1867
Sketch of a Tombstone
1802-1804
109
Sir Robert Smirke the younger, 1781–1867
Sketch of a Carved Female Figure on Top of a Gravestone
1802-1804
110
Sir Robert Smirke the younger, 1781–1867
Tombstone
1802-1804
111
Sir Robert Smirke the younger, 1781–1867
Tombstone
1802-1804
112
Sir Robert Smirke the younger, 1781–1867
Sketch of Three Standing Gravestones
1802-1804
113
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Tombstone
1802-1804
114
Sir Robert Smirke the younger, 1781–1867
Threee Ornate Tombstones
1802-1804
115
Sir Robert Smirke the younger, 1781–1867
Tombstone
1802-1804
116
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
117
Henry Swinburne, 1743–1803
Ducal Palace of Urbino in Marche, Italy
1777 to 1778
118
Print made by Sir Frank Short, 1857–1945
Via Mala
1896
119
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
120
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
121
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
122
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
123
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
124
John Thomas Smith, 1766–1833
The Smock Exposed
1817
125
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
126
John Thomas Smith, 1766–1833
The Reconcilation
1817
127
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
128
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
129
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
130
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
131
William Blake Richmond, 1842–1921
Portrait of a Gentleman
undated
132
unknown artist
Design for Wall Paper
ca. 1760
133
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
134
Joseph Clarendon Smith, 1778–1810
Margate Hoy
1807
135
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
136
Cornelius Varley, 1781–1873
A Tree Struck by Lightning
undated
137
Paul Sandby, 1731–1809
James Gandon and Family
1780
138
Benjamin West, 1738–1820
St. Michael and Lucifer
undated
139
Benjamin West, 1738–1820
Characters in the Streets of London
1799
140
Thomas Barker, 1769–1847
Man Leading a Horse
undated
141
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
142
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Samuel Garth
undated
143
unknown artist
Alcibiades and Timon
undated
144
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
145
Gavin Hamilton, 1723–1798
Achilles Lamenting the Death of Patroclus
between 1760 and 1763
146
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
147
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
148
Mary Harcourt, 1750–1833
Lake Morat from Avenches
ca. 1780
149
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
150
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
151
Attributed to unknown artist
A Soldier on Horseback
undated
152
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
153
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
154
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
155
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
156
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
157
Samuel Howitt, 1756–1822
Bull Attacking Mastiff
undated
158
Samuel Howitt, 1756–1822
Bear and Bee-Hives
undated
159
Samuel Howitt, 1756–1822
Lion and Lioness Attacking a Steer
undated
160
Isaac Johnson, 1754–1835
Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk
undated
161
George Jones, 1786–1869
The Blacksmith
undated
162
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
163
George Jones, 1786–1869
Chantrey's Studio
undated
164
George Jones, 1786–1869
Portentous Things
undated
165
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
166
John Varley, 1778–1842
Trees Overhanging a River
undated
167
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
168
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
169
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
170
John Vanderbank, 1694–1739
Portrait of a Young Lady as a Shepherdress
undated
171
Thomas Uwins, 1782–1857
John Britton, F.S.A
ca. 1820
172
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
173
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
174
Edward Francis Burney, 1760–1848
Unique Specimens of Mineralogy
undated
175
unknown artist
The Virtuous Family
ca. 1790
176
Sir David Wilkie, 1785–1841
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
1833
177
unknown artist
Rusthill Common near Tunbridge Wells, Kent
ca. 1840
178
John Vanderbank, 1694–1739
Preparatory Study for the decoration "Equestrian Portrait of George I"
undated
179
John Warwick Smith, 1749–1831
Cascade of Buffalora
undated
180
unknown artist
The Long Minuet as Danced at Bath
after 1787
181
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
182
Sir James Thornhill, 1675–1734
Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
undated
183
James Ward, 1769–1859
The Old Double Bridge, Bury St. Edmunds
1833
184
Jan Wyck, ca. 1645–1700
Commander with Aides on Horseback Directing a Battle