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Materials & Techniques burnishing (polishing)

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Period 20th century

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Fifty Etchings
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Picasso's Meninas
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1973
Materials & Techniques:
Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

3. IV

IV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. VI

VI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. VIII

VIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. XII

XII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching with lavender oil, needle, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. VII

VII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. XV

XV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. XVIII

XVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. XXII

XXII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. XXI

XXI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. XLIII

XLIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. XLVIII

XLVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. XLIX

XLIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Finn MacCool
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1983
Materials & Techniques:
Heliogravure, lift-ground etching, spit-bite aquatint, line engraving and burnisher on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 7/8 × 22 3/8 inches (75.9 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

16. XXVII

XXVII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. XXIV

XXIV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. XXXIX

XXXIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. XL

XL
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Sugarlift and softground etching, lavender oil on hardground, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Plate: 7 1/8 × 5 1/8 inches (18.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. XLI

XLI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. XLVI

XLVI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. L

L
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bronze by Gold
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1985 to 1987
Materials & Techniques:
Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
British, North Italian Rococo style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Architectural moulding frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, matt and burnished water gilding, patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, water gilt and burnished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, patinated
Dimensions:
Frame: 30 1/4 × 23 × 2 inches (76.8 × 58.4 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, box frame
Creator:
unknown framemaker
Date:
mid-20th century
Materials & Techniques:
Wood, burnished white gold, black paint
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Rococo Revival frame
Creator:
Bourdier, 19th century
Date:
early 20th century
Materials & Techniques:
Carved wood, original matt and burnished water and oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, box frame with mount
Creator:
unknown framemaker
Date:
2nd half of 20th century
Materials & Techniques:
Aluminium, original matt & burnished patina
Collection:
Frames
Credit Line:
Yale Center for British Art
British, box frame
Creator:
unknown framemaker
Date:
mid-20th century
Materials & Techniques:
Aluminium, burnished front, matt sides
Collection:
Frames
Credit Line:
Yale Center for British Art
British or American (?), box frame with mount
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, canvas, burnished Dutch metal leaf
Dimensions:
Frame: 11 7/8 × 15 1/2 × 1 1/4 inches (30.2 × 39.4 × 3.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
Irish?, Rococo style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood and compo, original matt and burnished water gilding
Dimensions:
Frame: 22 × 31 × 2 1/4 inches (55.9 × 78.7 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art