A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
1203
Philippe-Jacques de Loutherbourg, 1740–1812
A Philosopher in a Moonlit Churchyard
1790
Not on view
1204
Philippe Mercier, 1689 or 1691–1760
The Sense of Sight
1744 to 1747
Not on view
1205
Henry Fuseli, 1741–1825
Dido
1781
Not on view
1206
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
1207
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
1208
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
1209
John Opie, 1761–1807
Colonel Donald MacLeod of St. Kilda
ca. 1796
Not on view
1210
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
1211
George Smith, 1714–1776
A Winter Landscape
ca. 1770
Not on view
1212
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Fishermen
ca. 1830
Not on view
1213
Attributed to Louis Laguerre, 1663–1721
Sketch for an oval ceiling
ca. 1705
Not on view
1214
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
1215
Thomas Mellish, ca.1748–1782
Shipping in the Thames Estuary
between 1761 and 1766
Not on view
1216
Peter Monamy, 1681–1749
British Men-of-War and a Sloop
between 1720 and 1730
Not on view
1217
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
1218
Alexander Nasmyth, 1758–1840
Eleanor and Margaret Ross
between 1785 and 1790
Not on view
1219
Joseph Francis Nollekens, 1702–1748
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
1220
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
1221
Sir William Beechey, 1753–1839
Portrait of a Girl
ca. 1790
Not on view
1222
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
1223
Charles Brooking, 1723–1759
A Two-Decker on Fire at Night off a Fort
ca. 1740
Not on view
1224
Nathaniel Dance, 1735–1811
James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne
ca. 1760
Not on view
1225
Thomas Daniell, 1749–1840
Ruins of the Naurattan, Sasaram, Bihar
1811
Not on view
1226
Nicholas Condy, 1793–1857
The Victualling Office, Plymouth
ca. 1835
Not on view
1227
Lionel Constable, 1828–1887
A Grey Day
ca. 1845
Not on view
1228
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
1229
Thomas Daniell, 1749–1840
Pinnace sailing down the Ganges past Monghyr Fort
ca. 1791
Not on view
1230
Thomas Hudson, 1701–1779
Princess Amelia Sophia Eleonore of Great Britain
ca. 1745
Not on view
1231
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
1232
Arthur Devis, 1712–1787
John Orde, His Wife, Anne Orde (née Marr), His Eldest Son, William, and an Unnamed Servant
between 1754 and 1756
Not on view
1233
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
1234
Jan Griffier the Elder, ca. 1645–1718
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
1235
Thomas Gainsborough, 1727–1788
Portrait of a Young Man with Powdered Hair
ca. 1750
Not on view
1236
John Hoppner, 1758–1810
An Unknown British Officer, Probably of 11th (North Devonshire) Regiment of Foot, c.1800
ca. 1800
Not on view
1237
Jacques-Laurent Agasse, 1767–1849
Studies of Flowers
1848
Not on view
1238
Nathaniel Dance, 1735–1811
Tobias Smollet
ca. 1764
Not on view
1239
Joseph Francis Gilbert, 1792–1855
Chichester Cathedral
1833
Not on view
1240
unknown artist
Thames at Lambeth Palace
after 1745
Not on view
1241
Joseph Farington, 1747–1821
Caernarvon Castle
ca. 1780
Not on view
1242
unknown artist
Trentham Park
ca. 1801
Not on view
1243
Joseph Nickolls, active 1713–ca. 1755
Orleans House, Twickenham
ca. 1750
Not on view
1244
unknown artist
Windsor Castle from the South
after 1681
Not on view
1245
William Jones, active 1832–1836
Fishing: Playing a Fish
ca. 1830
Not on view
1246
James Ward, 1769–1859
Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P
1835
Not on view
1247
James Ward, 1769–1859
Heath Ewe and Lambs
1810
Not on view
1248
Benjamin West, 1738–1820
The Apotheosis of Nelson
1807
Not on view
1249
Thomas Gainsborough, 1727–1788
Spitz Dog
ca. 1765
Not on view
1250
Lambert Marshall, 1809–1873
Ben Marshall
before 1835
Not on view
1251
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
1252
Lambert Marshall, 1809–1873
Mary Marshall (née Saunders)
1826
Not on view
1253
Thomas Gainsborough, 1727–1788
William Lowndes, Auditor of His Majesty's Court of Exchequer
1771
Not on view
1254
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
1255
Sir Godfrey Kneller, 1646–1723
Lady Mary Wortley Montagu
between 1715 and 1720
Not on view
1256
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
1257
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
1258
John E. Ferneley Jr., 1815–1862
A Dandie Dinmont Terrier
1848
Not on view
1259
George Garrard, 1760–1826
Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up
1786
Not on view
1260
Douglas Stannus Gray, 1890–1959
Cricket on the Green, Southwick
1953
Not on view
1261
Sawrey Gilpin, 1733–1807
Three Hunters in a Rocky Landscape
1775
Not on view
1262
Thomas Gooch, 1750–1802
Marcia Pitt and Her Brother George Pitt, Later second Baron Rivers, Riding in the Park at Stratfield Saye House, Hampshire
1782
Not on view
1263
Sawrey Gilpin, 1733–1807
Mares and Foals, facing right
between 1790 and 1800
Not on view
1264
Charles Cooper Henderson, 1803–1877
A Scene on the Road in France
1835
Not on view
1265
Charles Hancock, 1802–1877
Gentlemen's Carriages: A Cabriolet
between 1820 and 1830
Not on view
1266
George Haugh, 1756–1827
The Countess of Effingham with Gun and Shooting Dogs
1787
Not on view
1267
John Frederick Herring, 1795–1865
Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
1838
Not on view
1268
John Frederick Herring, 1795–1865
Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery
before 1847
Not on view
1269
John Frederick Herring, 1795–1865
The Suffolk Hunt: Going to Cover near Herringswell
1833
Not on view
1270
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
1271
John Frederick Herring, 1795–1865
The Suffolk Hunt : The Death
1833
Not on view
1272
Benjamin Marshall, 1768–1835
Broodmare with Foal, and a Terrier
1822
Not on view
1273
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
1274
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
1275
George Morland, 1763–1804
Setters
between 1798 and 1799
Not on view
1276
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
1277
James Pollard, 1792–1867
The Last of the Mail Coaches at Newcastle upon Tyne
1848
Not on view
1278
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
1279
Philip Reinagle, 1749–1833
Spearing the Otter
1805
Not on view
1280
Francis Sartorius, 1734–1804
Sir Charles Warre Malet's String of Racehorses at Exercise
ca. 1800
Not on view
1281
James Seymour, 1702–1752
Old Fox held by a Groom
1721
Not on view
1282
James Seymour, 1702–1752
The Duke of Devonshire's Flying Childers
1742
Not on view
1283
James Seymour, 1702–1752
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
1284
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
1285
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
1286
Perhaps Jan van der Vaardt, 1647–1721
Bifrons Park, Kent
between 1695 and 1705
Not on view
1287
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
1288
James Seymour, 1702–1752
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
1289
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
1290
John Ferneley, 1782–1860
The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
ca. 1825
Not on view
1291
Sawrey Gilpin, 1733–1807
Mares and Foals, facing left
between 1790 and 1800
Not on view
1292
Charles Hancock, 1802–1877
Two Greyhounds in a Landscape
between 1830 and 1850
Not on view
1293
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
between 1820 and 1830
Not on view
1294
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
between 1820 and 1830
Not on view
1295
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
1296
John Frederick Herring Jr., 1815–1907
Returning from the Hunt
ca. 1855
Not on view
1297
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
1298
Benjamin Marshall, 1768–1835
The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
1299
Sir Alfred J. Munnings, 1878–1959
Hyperion
1937
Not on view
1300
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold