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Credit Line Yale Center for British Art, Paul Mellon Collection

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Associated Places England

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1. A View across the Artist's Garden from his House at Exmouth, Devonshire

A View across the Artist's Garden from his House at Exmouth, Devonshire
Creator:
Francis Danby, 1793–1861
Date:
mid-19th century
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
6 1/8 x 8 15/16 inches (15.6 x 22.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Sketch from Nature in Sion Park

Sketch from Nature in Sion Park
Creator:
Samuel Palmer, 1805–1881
Date:
1819
Materials & Techniques:
Oil on card
Dimensions:
7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A View in Suffolk

A View in Suffolk
Creator:
Frederick W. Watts, 1800–1862
Date:
ca. 1830
Materials & Techniques:
Oil on card
Dimensions:
7 11/16 x 9 13/16 inches (19.5 x 24.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Saddling Paddock, Cheltenham March Meeting (sketch)

The Saddling Paddock, Cheltenham March Meeting (sketch)
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
ca. 1947
Materials & Techniques:
Oil on heavy card
Dimensions:
14 x 28 inches (35.6 x 71.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. The Rock Slip near Boscastle

The Rock Slip near Boscastle
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Salisbury Cathedral From the Meadows

Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Bridge near Salisbury Court, Perhaps Milford Bridge

A Bridge near Salisbury Court, Perhaps Milford Bridge
Creator:
John Constable, 1776–1837
Date:
ca. 1829
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Salisbury Plain from Old Sarum

Salisbury Plain from Old Sarum
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 1/8 inches (23.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Study for Cottage in Cornfield, East Bergholt

Study for Cottage in Cornfield, East Bergholt
Creator:
attributed to John Constable, 1776–1837
Date:
ca. 1833
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:
Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
Creator:
Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:
1843
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:
Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
Creator:
Print made by William Clerk, ? 19th c.
Date:
after 1840
Materials & Techniques:
Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:
Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Bayswater Turnpike

The Bayswater Turnpike
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:
Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View of Swanage Bay, Dorset

View of Swanage Bay, Dorset
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Watercolor over graphite on medium, smooth wove paper laid to card
Dimensions:
Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Bedford from the North

Bedford from the North
Creator:
Print made by Henry Burn, active 1845
Date:
ca. 1840
Materials & Techniques:
Hand-colored lithograph on moderately thick cream card
Dimensions:
Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Royal Naval School at New Cross

The Royal Naval School at New Cross
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
undated
Materials & Techniques:
Hand-colored lithograph on moderately thick cream card
Dimensions:
Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. View of Tonbridge During the Late Election

View of Tonbridge During the Late Election
Creator:
Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:
Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View of New Street, near London Bridge

View of New Street, near London Bridge
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Hearne's Oak, Windsor Forest

Hearne's Oak, Windsor Forest
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and pen and gray ink on card
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Shopping in the Rows, Chester

Shopping in the Rows, Chester
Creator:
Sir David Wilkie, 1785–1841
Date:
1837
Materials & Techniques:
Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card
Dimensions:
Mount: 7 1/2 x 9 3/8 inches (19.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Waltham Abbey, Essex

Waltham Abbey, Essex
Creator:
Edward Dayes, 1763–1804
Date:
1783
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, card
Dimensions:
Sheet: 5 3/8 × 8 3/8 inches (13.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Exmouth, Devon

Exmouth, Devon
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Bovisand, near Plymouth

Bovisand, near Plymouth
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Watercolor with brown wash and gouache over graphite on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 inches (17.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Lulworth Cove

Lulworth Cove
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Watercolor with brown wash and gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection