Materials & Techniques: chine collé / Exhibition History: Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) / Subject Terms: marine art - YCBA Collections Search Search Results

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Materials & Techniques chine collé

Exhibition History Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

Subject Terms marine art

1. Ancient Carthage - The Embarcation of Regulus

Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Entrance to Fowey Harbour, Cornwall

Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Penmaen Mawr, Caernarvonshire

Penmaen Mawr, Caernarvonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; completed engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection