Materials & Techniques: chine collé / Genre: architectural subject / Width [cm]: 21

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Materials & Techniques chine collé

Genre architectural subject

Width [cm] 21

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

between 1820 and 1826

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Edward Francis Finden, 1791–1857

St. Sophia, Constantinople

1833

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James Tibbits Willmore, 1800–1863

Nantes

1826-1837

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1831

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1832

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by Robert Wallis, 1794–1878

Havre

1832

Print made by James C. Allen, active 1821–1831

Orford Castle and Church

ca. 1830

Print made by John Byrne, 1786–1847

Tomb of Cecilia Metella

1818-1820

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

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