Materials & Techniques: chine collé / Genre: landscape / Width [cm]: 37

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Materials & Techniques chine collé

Genre landscape

Width [cm] 37

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Print made by David Lucas, 1802–1881

A Mill

1830

Print made by William Miller, 1796–1882

Great Yarmouth

1829

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge

1832

Print made by William Bernard Cooke, 1778–1855

Plymouth, Devonshire

1832

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge, Wiltshire

1829

Print made by John Le Keux, 1783–1846

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879

Ilfracombe

between 1853 and 1874

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