Materials & Techniques: chine collé / Work Type: intaglio print / Height [cm]: 20

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Materials & Techniques chine collé

Work Type intaglio print

Height [cm] 20

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Print made by Anthony Cardon, 1772–1813

Lewis Schiavonetti, V.A

1811

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

Sir George Hayter, 1792–1871

H.R.H. Prince Leopold, Queen Victoria's Uncle

1816

Print made by George T Doo, 1800–1886

John Greenhill

undated

Print made by James T. Willmore, 1800–1863

The Sea! The Sea!

1836

Print made by George T Doo, 1800–1886

George Vertue

1849

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 2 (large plate)

1860

Edward Francis Finden, 1791–1857

Hester Lynch Thrale, afterwards, Hester Lynch Piozzi

1835

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Frederick Bacon, 1803–1887

Thomas Bewick

1852

Print made by John Le Keux, 1783–1846

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

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