Materials & Techniques: chine collé / Work Type: intaglio print / Width [cm]: 26

Start Over

You searched for:

Materials & Techniques chine collé

Work Type intaglio print

Width [cm] 26

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Etched by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by James C. Allen, active 1821–1831

Lowestoffe

ca. 1830

Print made by Henry Moses, ca. 1782–1870

Mr. Fawkes Gallery

1819-1820

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Print made by George T Doo, 1800–1886

Sir Charles Eastlake, R. A

1873

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

ca. 1830

Print made by Charles Turner, 1774–1857

Age of Innocence

1836

Print made by Samuel William Reynolds, 1773–1835

Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

undated

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by Frederick Bacon, 1803–1887

The Penitent

between 1842 and 1887

Published by Sir Frank Short, 1857–1945

Jason

1807

Print made by Sir Frank Short, 1857–1945

Stonehenge at Daybreak

1897

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period