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Materials & Techniques chine collé
Remove constraint Materials & Techniques: chine colléWork Type intaglio print
Remove constraint Work Type: intaglio printTopic subjectplace ss Devon
Remove constraint Topic subjectplace ss: DevonSearch Results
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1815
- Materials & Techniques:
- Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
- Dimensions:
- Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1827
- Materials & Techniques:
- Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
4. Exeter
- Date:
- 1819-1826
- Materials & Techniques:
- Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
5. Exeter
- Date:
- 1829
- Materials & Techniques:
- Etching and engraving with chine collé; second state on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1827
- Materials & Techniques:
- Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1814
- Materials & Techniques:
- Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1820
- Materials & Techniques:
- Etching and engraving; unpublished state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1817
- Materials & Techniques:
- Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1817
- Materials & Techniques:
- Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1818
- Materials & Techniques:
- Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1842
- Materials & Techniques:
- Etching and engraving, with graphite and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund