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Materials & Techniques drypoint

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Height [cm] 20

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Subject Terms river

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Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Footbridge over the Wiley
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
1884
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Pont Corneille, Rouen
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, beige Asian paper
Dimensions:
Sheet: 7 13/16 x 11 5/8 inches (19.8 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Joseph Flint
Whistler's House at Old Chelsea
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 13 7/8 inches (20.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910
Shepperton
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 6 5/8 inches (20.1 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
The Island Opposite Boyle's Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/16 x 11 9/16 inches (20.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Nine Barrow Down
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/16 x 11 7/8 inches (20.4 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Nine Barrow Down
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 3/8in. (19.7 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Harlech, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1880
Materials & Techniques:
Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Sunset in Ireland
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 8 x 10 13/16 inches (20.3 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Sunset in Ireland
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Whistler's House at Old Chelsea
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream Asian paper
Dimensions:
Sheet: 7 7/8 x 13 7/8 inches (20 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Sunset on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 3/8 inches (19.7 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
View of Pont Neuf, The Mint etc.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection