Materials & Techniques: engraving (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 30

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Materials & Techniques engraving (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 30

Print made by Pieter de Jode II, ca. 1606–1674

Ioannes Snellincx

ca. 1635

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Edward Francis Finden, 1791–1857

St. Sophia, Constantinople

1832-1834

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

Print made by William Bernard Cooke, 1778–1855

Weymouth

1813

Print made by George Cooke, 1781–1834

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Corfe Castle, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte Alla Carraia

1818

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle

1832

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

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