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Materials & Techniques engraving (printing process)
Remove constraint Materials & Techniques: engraving (printing process)Period 19th century
Remove constraint Period: 19th centurySearch Results
201. Inverness
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
202. Abbeville
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving, engraver's proof
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
203. Hougomont
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving, first published state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving, first published state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving, engraver's proof
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
206. Killiecrankie
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving, first published state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
207. Craigmillar Castle
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving, first published state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
208. Aldborough
- Date:
- ca. 1830
- Materials & Techniques:
- Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
209. Aldborough
- Date:
- ca. 1830
- Materials & Techniques:
- Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
210. The Bride
- Date:
- 1828
- Materials & Techniques:
- Engraving and drypoint on thin, slightly textured, cream Asian paper
- Dimensions:
- Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- ca. 1828
- Materials & Techniques:
- Engraving on thick, slightly textured, cream wove paper with cream chine collé
- Dimensions:
- Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1804
- Materials & Techniques:
- Engraving on moderately thick, moderately textured, cream wove paper
- Dimensions:
- Sheet: 16 × 9 1/16 inches (40.6 × 23 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
213. The Shepherd
- Date:
- between 1827 and 1836
- Materials & Techniques:
- Engraving on thick, slightly textured beige wove paper with beige chine collé
- Dimensions:
- Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
216. La Riccia
- Date:
- 1819
- Materials & Techniques:
- Etching and engraving on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving, first state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving, engraver's proof
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
220. Brienne
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving, touched with graphite (Engraver's Proof)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
221. Vincennes
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
222. Verona
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
223. Fountainebleau
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
224. Dunfermline
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
225. Linlithgow
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
226. Dunstaffnage
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
227. Rouen - Distant View
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
228. Inverness
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
231. Abbeville
- Date:
- 1836
- Materials & Techniques:
- Etching and line engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1851
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832-1834
- Materials & Techniques:
- Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 1/16 × 16 5/8 inches (28.1 × 42.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
234. The Desert of Sinai
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
235. Hougomont (Vignette)
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
239. Jerusalem
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
240. Placenza
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving (First Published State)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
241. St. Cloud
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
243. The Simplon
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving (First Published State)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
244. Chipswood Cottage
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
246. The Plain of Troy
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving, third state on moderately thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 11 1/8 × 8 3/16 inches (28.3 × 20.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1833
- Materials & Techniques:
- Etching and engraving, third state on medium, moderately textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
248. The Bernese Alps
- Date:
- 1832-1834
- Materials & Techniques:
- Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
249. Negropont
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1834
- Materials & Techniques:
- Etching and engraving (Published State)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1835
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
254. Stirling
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
255. Glen Coe, Scotland
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
257. Killiecrankie
- Date:
- 1836
- Materials & Techniques:
- Etching and engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832-1834
- Materials & Techniques:
- Etching and engraving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving on medium, slightly textured, beige wove paper
- Dimensions:
- Sheet: 6 1/16 × 8 11/16 inches (15.4 × 22.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1832
- Materials & Techniques:
- Etching and engraving, third state on medium, slightly textured, beige wove paper
- Dimensions:
- Sheet: 11 × 8 3/16 inches (27.9 × 20.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
262. Luminous Don Key

- Date:
- ca. 1830
- Materials & Techniques:
- Line engraving with etching on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 1/4 x 16 1/4 inches (28.5 x 41.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Brian and Linda Gracie

- Date:
- 1808
- Materials & Techniques:
- Engraving (electrotype proof) on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 × 15 inches (27.9 × 38.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection