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Materials & Techniques engraving (printing process)

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Work Type intaglio print

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Topic subjectplace ss Europe

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Search Results

1. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

2. Bridge of St. Cloud from Sévres

Bridge of St. Cloud from Sévres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

3. Lillebonne, Château and Tower

Lillebonne, Château and Tower
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Monument of King Henry III, in Westminster Abbey

The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

6. The Monument of King Edward III in Westminster Abbey

The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Monument in Westminster Abbey of King Henry V

The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Exhibition of the Royal Academy, 1787

The Exhibition of the Royal Academy, 1787
Creator:
Print made by Pietro Antonio Martini, 1738–1797
Date:
1787
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream paper
Dimensions:
Sheet: 14 1/2 × 20 9/16 inches (36.9 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 16 7/8 inches (29.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Lyme Regis, Dorsetshire

Lyme Regis, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 5/8 inches (28.9 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Lyme Regis, Dorsetshire

Lyme Regis, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving; first published state (2a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Miller, 1796–1882
Date:
1820
Materials & Techniques:
Etching and engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving, with chine collé, scraping out, and white gouache; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Ilfracombe, North Devon

Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Watchet, Somersetshire

Watchet, Somersetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Bridges of St. Cloud and Sèvres

Bridges of St. Cloud and Sèvres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection