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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Creator Gender unknown

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Width [cm] 51

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Flower-Garden Porch at Farnley (Vignette)
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Gateway to the Flower Garden at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bay Windows in the Flower Garden at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle
The Double Deliverance, 1588–1605
Creator:
Print made by unknown artist
Date:
1621
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund