Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Subject Terms: labor

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by Robert Sargent Austin, 1895–1973

The Cathedral, Palma

1928

Print made by Sir Muirhead Bone, 1876–1953

Demolition of St. James's Hall, Interior

1906

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Wheel

1927

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Brightlingsea Hard, Landing Oysters

1929

Sir Muirhead Bone, 1876–1953

The Building

1904

Print made by Sir Muirhead Bone, 1876–1953

Ely Cathedral

1903

Print made by Sir Muirhead Bone, 1876–1953

La Lanterna, Genova

1912

Print made by Sir Muirhead Bone, 1876–1953

Walberswick Ferry

1913

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Main Tack

1928

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

At the Tiller

1929

Print made by Robert Sargent Austin, 1895–1973

The Horse of Ostend

1921

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Aloft

1929

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Charles Golding Constable, 1821–1879

Harbour Scene

undated

Myles Birket Foster, 1825–1899

An Old English Mill

undated

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Robert Spence, 1871–1964

The Next Day Wee Passed on..

between 1890 and 1911

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

Print made by Sir Muirhead Bone, 1876–1953

A Manhattan Excavation

1923

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Thomas Dale, active ca. 1921

Interior of the Chapel of the Holy Trinity

1825

Print made by James Dobie, 1849–1911

Fishing Boats at Hastings

1882

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Robert Sargent Austin, 1895–1973

The Plough

1922

Print made by Robert Sargent Austin, 1895–1973

The Angelus

1922

Print made by Robert Sargent Austin, 1895–1973

The Stone Breaker

1925

Print made by Robert Sargent Austin, 1895–1973

Woman Milking a Goat

1925

Print made by Robert Sargent Austin, 1895–1973

Wood Carriers

1932

Print made by Sir Muirhead Bone, 1876–1953

The Fishmarket, Venice, No. 2

1912

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Futtock Shrouds

undated

Arthur Evershed, 1836–1919

On the Banks of the Thames

1876

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Print made by Richard Earlom, 1743–1822

View of a Sea Port

1774

Print made by Robert Sargent Austin, 1895–1973

The Pack Bridge

1926

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Robert Sargent Austin, 1895–1973

The Belfry

1930

Print made by Sir Muirhead Bone, 1876–1953

San Frediano in Cestello, Florence

1915

Print made by Sir Muirhead Bone, 1876–1953

Ayr Prison

1905

Print made by Sir Muirhead Bone, 1876–1953

The Ballantrae Road

1907

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as The Sempstress

1787

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as the Spinster

1789

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by John Robert Cozens, 1752–1797

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Evening

1745

Print made by Richard Earlom, 1743–1822

View with several Vessels lying close to the Shore

1774

Print made by Richard Earlom, 1743–1822

Scene of a Storm, with a Vessel Wrecked

1774

Print made by Richard Earlom, 1743–1822

Vulcan's Forge

1802

John Greig, active 1803–1853

Cloisters of Worcester Cathedral

1807

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by James Fittler, 1758–1835

Warwick Castle

1780

Print made by Louis Charles Ruotte, 1754–ca. 1806

The West India Flower Girl

undated

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Sir George Clausen, 1852–1944

Shifting Feed Sacks

undated

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

Subject Terms labor

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