Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
2
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
3
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
4
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
5
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
6
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
7
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
8
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
9
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
10
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
11
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
12
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
13
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
14
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
15
John Greig, active 1803–1853
Cloisters of Worcester Cathedral
1807
16
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
17
John Greig, active 1803–1853
The Crypt, Worcester Cathedral
1807
18
Print made by John Crome, 1768–1821
The Back of the Mills
ca. 1812
19
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
20
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
21
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose