Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1826

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by Robert Cooper, ca. 1800–1836

A. More

1826

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Thomas Goff Lupton, 1791–1873

Naval Design on Wrapper

1826

George Cooke, 1781–1834

Billingsgate

1826

Print made by Thomas Goff Lupton, 1791–1873

Naval Design on Wrapper

1826

John Harris, 1811–1865

The North Prospect of the Cathedral Church of St. Mary at Worcester

undated

John Harris, 1811–1865

The Cathedral Church of Worcester

undated

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1826

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1826

Search Results