Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 13

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by William Blake, 1757–1827

From Antique Coins

1821

Print made by William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by James Caldwall, 1739–1819

Now Sir, You're a Complete Macaroni

1772

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Print made by Miles Edmund Cotman, 1810–1858

Study of Trees on the Banks of the Yare

1846

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Print made by Angelica Kauffmann, 1741–1807

Profile of a Young Man in Meditation

1762

Print made by Angelica Kauffmann, 1741–1807

Portrait of Bindo Altoviti

between 1762 and 1765

Print made by Angelica Kauffmann, 1741–1807

Portrait of an Old Man

1762

Print made by Angelica Kauffmann, 1741–1807

Young Woman's Head in Profile

1770

Print made by Angelica Kauffmann, 1741–1807

Head of a Young Woman in Profile to Right

1768

Edward Scriven, 1775–1841

Sir Frederick William Herschel

ca.1830

Edward Edwards, 1738–1806

Sir Joshua Reynolds

undated

Print made by James Baylis Allen, 1803–1876

Mussooree and the Dhoon from Landour

1836

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by John Cousen, 1804–1880

View near Jubbera

1836

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

Print made by James C. Allen, active 1821–1831

Harborough Sands

ca. 1830

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of the Village of Chaillot and etc. taken from Pont de la Concorde

1803

Francesco Bartolozzi, 1728–1815

Bacchus on a Barrel

1796

Print made by Robert Cooper, active ca. 1800–1836

Daniel O'Connell, Esqr

1825

Richard Bernard Godfrey, 1728–op.1794

Knighton, the Seat of George M. Bisset, Esq

before 1781

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Hannah Sparke

1785

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis, 1747–1810

The New Meeting

1792

William Ellis, 1747–1810

Beddington

1792

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Charles Heath, 1785–1848

The Tower from the River

1825

Charles Heath, 1785–1848

Green Park

1825

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Miles Edmund Cotman, 1810–1858

On the Medway

ca. 1838

Print made by Charles Heath, 1785–1848

Benevento, Kingdom of Naples

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the Vatican

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the Villa Ludovisi at Rome

undated

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by Richard Earlom, 1743–1822

Giovanni Battista Cipriani, Esqr. R. A

1789

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Hannah Sparke, Widow

1785

Print made by Thomas Chambars, ca. 1724–1789

George Vertue, Engraver

undated

Print made by Thomas Chambars, ca. 1724–1789

George Vertue, Engraver

undated

Print made by Thomas Chambars, ca. 1724–1789

Robert Walker

undated

Print made by Charles West Cope, 1811–1890

W. Mulready RA

1863

Charles Grignion, 1717–1810

James Paine

undated

Print made by Thomas Chambars, ca. 1724–1789

Peter Oliver

undated

Print made by Thomas Chambars, ca. 1724–1789

Abraham Vanderdort

undated

Print made by Thomas Chambars, ca. 1724–1789

Paul Van Somer

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Hilliard

undated

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Print made by B. R. Davies, active ca. 1833

Mount Blanc

1828

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

Print made by James Fittler, 1758–1835

Warwick Castle

1780

George Baxter, 1804–1867

The Sacrifice at Lystra

after 1855

Samuel Ireland, 1744–1800

North Front of Temple Hall

1800

Samuel Ireland, 1744–1800

Furnival's Inn

1800

Samuel Ireland, 1744–1800

Clifford's Inn

1800

Samuel Ireland, 1744–1800

Lincoln's Inn Gate

1800

Samuel Ireland, 1744–1800

Rolls Chapel

1800

Samuel Ireland, 1744–1800

Garden Front of Furnival's Inn

1800

Samuel Ireland, 1744–1800

Lincoln's Inn Hall and Chapel

1800

Samuel Ireland, 1744–1800

Lion's Inn

1800

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

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