Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 32

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

Juvenile Tricks

1811

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by Mary Dawson Turner, 1774–1850

Portrait of Benjamin Robert Haydon

1816

Print made by James C. Allen, active 1821–1831

Orford Castle and St. George's Tower

ca. 1830

Print made by William Bernard Cooke, 1778–1855

The Mewstone, Entrance of Plymouth Sound

1815

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Perugia (vignette)

1830

Print made by James Basire, 1730–1802

George Gower

1800

Myles Birket Foster, 1825–1899

An Old English Mill

undated

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by unknown artist

Sir Godfrey Kneller

undated

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

Thomas Malton the Younger, 1748–1804

The Admiralty

undated

Thomas Malton the Younger, 1748–1804

East India House

undated

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1819

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1815

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1819

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855

Source of the Tamar and Torridge

1816

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855

Brightling Observatory

1816

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by Henry William Bunbury, 1750–1811

How to Ride Without a Bridle

undated

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Pieter S. van der Gunst, 1659–c. 1724

Thomas Wolsey

undated

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

Robert Dighton, 1752–1814

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by James Bretherton, ca. 1730–1806

The St. James's Macaroni

1772

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Charles Turner, 1774–1857

Shields, on the River Tyne

1823

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

1799

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by Thomas Bowles, ca. 1712–died 1753

The Admiralty Office

1731

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Joseph Haynes, 1760–1829

Banditti

1780

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by John Cousen, 1804–1880

Peace: Burial at Sea

between 1859 and 1861

Louisa Augusta Greville, 1743–active 1762

Five People Praying

1760

Etched by Thomas Rowlandson, 1756–1827

English Barracks

1791

Print made by William Hondius, c.1597–c.1660

Franciscus Franck Iunior

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Ioannes Livens

ca. 1635

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Francesco Bartolozzi, 1728–1815

Alvise Pisani

1793

Print made by Axel Herman Haig, 1835–1921

An Old Hanse Town

undated

John William Edy, 1760–1820

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by Charles H. Jeens, 1827–1879

The Birdcage

between 1859 and 1861

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Print made by Pietro Antonio Martini, 1738–1797

The Exhibition of the Royal Academy, 1787

1787

Henry Thomas Alken, 1785–1851

The Quorn Hunt: 'Snob is Beat'

undated

James Gillray, 1756–1815

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879

Ilfracombe

between 1853 and 1874

James Gillray, 1756–1815

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815

Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

1806

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 32

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 32

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