Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 7

Print made by William Blake, 1757–1827

For Children. The Gates of Paradise; Title Page (Plate 2)

1793

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

Henry Swinburne, 1743–1803

Coat of Arms

1777

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Miles Edmund Cotman, 1810–1858

Study of Trees on the Banks of the Yare

1846

Print made by Thomas Creswick, 1811–1869

Moonlight

1839

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Edward Francis Finden, 1791–1857

The Castle of St. Angelo

1832

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

unknown artist

Head of a Lion

1756

Charles Heath, 1785–1848

Pool of London

1825

Charles Heath, 1785–1848

The Penitentiary and Distant View of Westminster Bridge

1825

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by unknown artist

Mount Blanc

1828

Print made by unknown artist

Mount Blanc

1828

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by Henry Le Keux, 1787–1868

Aosta

1830

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1830

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870

A Villa on the Night of a Festa di Ballo

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1830

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1829

Print made by B. R. Davies, active ca. 1833

Mount Blanc

1828

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Frederick Atkinson, active 1800

Hugh Robinson

1800

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850

Bradshaw & Blacklock, active ca.1850

Greek set

after 1850

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 7

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 7

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