Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 20

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Richard Ansdell, 1815–1885

The Sentinel

1857

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by James Bretherton, ca. 1730–1806

Fille d'Auberge

1774

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Samuel William Reynolds, 1773–1835

Alexander Dow

undated

Pieter S. van der Gunst, 1659–c. 1724

Thomas Wolsey

undated

Print made by William Hondius, c.1597–c.1660

Franciscus Franck Iunior

ca. 1635

Print made by Robert Thew, 1758–1802

Infancy (Francis George Hare)

1790

Print made by Henry William Bunbury, 1750–1811

How to Ride Without a Bridle

undated

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by William Miller, 1796–1882

Hougoumont

1834

Print made by W. Floyd, active 1845

Valley of the Dhoon

1836

Print made by William Miller, 1796–1882

The Dead Eagle, Oran

1837

Print made by Pieter de Jode II, ca. 1606–1674

Erycius Puteanus

ca. 1635

Print made by Jacobus Neeffs, 1610–after 1660

Martinus Rychart

ca. 1635

Print made by Wenceslaus Hollar, 1607–1677

Thomas Howard

1646

Print made by Wenceslaus Hollar, 1607–1677

Alathea Talbot

1646

Print made by Jacobus Neeffs, 1610–after 1660

Maria Margareta de Barlemont

ca. 1635

Print made by Coenrad Waumans, born 1619–active 1636/37

Maria Clara de Croiio

ca. 1635

Print made by Coenrad Waumans, born 1619–active 1636/37

Fredericus Henricus

ca. 1635

Print made by Coenrad Waumans, born 1619–active 1636/37

Fredericus Henricus

ca. 1635

Print made by Abraham Blooteling, 1640–1690

Marquis de Mirabelle

ca. 1645

Print made by Lucas Vorsterman I, 1595–1675

Ioannes, Comes Nassouiæ

ca. 1635

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813

Print made by Lucas Vorsterman I, 1595–1675

Thomas Howardus

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Quintinus Simons

ca. 1635

Print made by Frederick Christian Lewis the Elder, 1779–1856

New Weir on the Wye (replica reversed)

1825

Print made by Frederick Christian Lewis the Elder, 1779–1856

New Weir on the Wye

1825

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Print made by Miles Edmund Cotman, 1810–1858

Barge on the Medway with Warships Grampian and Dreadnaugh in the Background

ca. 1838

Print made by Miles Edmund Cotman, 1810–1858

River Scene, Aldercar

ca. 1837

Walter Greaves, 1846–1930

Cremorne Gardens: Chelsea Bandstand

1871

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815

Edward Hawke, 1st Baron Hawke

1796

Richard Bernard Godfrey, 1728–op.1794

Knighton, the Seat of George M. Bisset, Esq

before 1781

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Charles Heath, 1785–1848

The Tower from the River

1825

Charles Heath, 1785–1848

Green Park

1825

Charles Heath, 1785–1848

Tower Hill

1825

George Gladwin, active 1820s–1830s

York House: Longitudinal Section from North to South

1827

George Gladwin, active 1820s–1830s

York House: Plan of Principle Floor

1827

George Gladwin, active 1820s–1830s

York House: Plan of the Ground Floor

1827

Print made by Benedictus Antonio van Assen, active 1788–died 1817

John Hamilton Mortimer

1810

Print made by John Cousen, 1804–1880

Peace - Burial of Wilkie

between 1859 and 1861

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

James Mitchell, 1791–1852

Rat Hunters

1830

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by James Basire II, 1769–1822

George Vertue, Engraver

1812

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844

James Northcote, R.A

1814

Leopold Flameng, 1831–1911

Van Dyck et Son Protecteur le Comte de Bristol

undated

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by Thomas Chambars, ca. 1724–1789

William Hogarth

undated

Print made by B. R. Davies, active ca. 1833

Mount Blanc

1828

Print made by William Richardson, active 1842–1877

The Roman Forum, from the Tower of the Capitol

1818-1820

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c

1781

George Baxter, 1804–1867

The Sacrifice at Lystra

after 1855

Print made by John Thomas Smith, 1766–1833

Four Illustrations of Westminster

1804

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882

Venice, the Campanile

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by W. Floyd, active 1845

Valley of the Dhoon

1837

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by James Basire, 1730–1802

George Gower

1800

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Print made by Arthur Pond, ca. 1705–1758

Nude Figure Carrying Jars

1734

Print made by Arthur Pond, ca. 1705–1758

Two Studies of Reclining Male Nude Figures

1732 to 1736

Print made by Arthur Pond, ca. 1705–1758

The Virgin and Child Seated with St Joseph

1735

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

Print made by Hanslip Fletcher, 1874–1955

St. Katherine Cree

1930

James Gillray, 1756–1815

Pen-etration

1799

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

James Gillray, 1756–1815

Delicious Weather

1808

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 20

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 20

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