Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 36

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Sir Frank Short, 1857–1945

Crowhurst, Sussex

1902

Print made by Sir Frank Short, 1857–1945

The Temple of Jupiter in the Island of Aegina

1920

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

Francesco Bartolozzi, 1728–1815

Edward Lord Thurlow

1782

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by unknown artist

Arch of Septimus Severus

1546-1590

Print made by Robert Wallis, 1794–1878

On the Thames

1875

James Gillray, 1756–1815

A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

1807

James Gillray, 1756–1815

Le Coup de Maitre

1797

James Gillray, 1756–1815

Presages of the Millenium

1795

Thomas Malton the Younger, 1748–1804

Banqueting House, Whitehall

undated

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 1

1757

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

John Dixon, ca. 1740–1811

William Robert Fitzgerald, Second Duke of Leinster

1775

Print made by Thomas Goff Lupton, 1791–1873

Newcastle-on-Tyne

1823 to 1827

Print made by Charles Turner, 1774–1857

Shields on the River Tyne

1823 to 1827

Print made by Charles Turner, 1774–1857

More Park, near Watford, on the River Colne

1823 to 1827

Print made by George H. Phillips, active 1819–1825

Arundel Castle, on the River Arun

1823 to 1827

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Thomas Patch, 1725–1782

Tommaso Patch Autore

1768

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by William Bernard Cooke, 1778–1855

Views in Sussex, Publisher's Printed Wrapper

1819

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 3

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 4

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 6

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 2

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 5

1757

Thomas Gaugain, 1748–1812

Turnips and Carrots

1797

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by unknown artist

Henry VII Chapel (Exterior)

ca. 1890

Print made by John Bluck, active 1791–1831

Clare Hall

1814

William Dickinson, 1746–1823

Rosamund and the Fair Annett

1784

Print made by Sir Frank Short, 1857–1945

St. Mary Redcliffe, Bristol

1888

Print made by Paulus Pontius, 1603–1658

Frederico Henrico D.G

between 1630 and 1645

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

James Gillray, 1756–1815

Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

1807

James Gillray, 1756–1815

The Nursery, with, Britannia Reposing in Peace

1802

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes

1804

James Gillray, 1756–1815

The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom

1809

James Gillray, 1756–1815

An Old English-Gentleman pester'd by Servants wanting Places

1809

Print made by Thomas Patch, 1725–1782

Mi so Chiamare il Cavre di Taylor

1770

Print made by Thomas Patch, 1725–1782

Plates 1-4: Il Carlo, Mr. Piters, Mr. D., and an Unidentified Man

1768

Print made by Thomas Patch, 1725–1782

Plates 5-8: Barto, Baron Stosch, G. Lockman, and Giovanni

1765 to 1770

Print made by Thomas Patch, 1725–1782

Giusepe. Caramelli

1769

Print made by Thomas Patch, 1725–1782

Ferdo. Gregori

1769

Print made by Thomas Patch, 1725–1782

R. Dalton Esqr

1769

Print made by Thomas Patch, 1725–1782

Monsr. Clune detto L'Imperatore

1769

Print made by Thomas Patch, 1725–1782

Cosimo Fioravanti

1768

Print made by Thomas Patch, 1725–1782

Alessandri il Neofito

1769

Print made by Thomas Patch, 1725–1782

Benbridge

1769

Print made by Thomas Patch, 1725–1782

Frano. Harwood

1768

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 36

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 36

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