Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 37

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Etched by Joseph Mallord William Turner, 1775–1851

Juvenile Tricks

1811

Print made by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Castle above the Meadows

1808

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Sir Frank Short, 1857–1945

Sheep-Washing, Windsor

1920

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Print made by Pierre Charles Canot, ca. 1710–1777

Evening

1745

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Thomas Malton the Younger, 1748–1804

East India House

undated

Thomas Malton the Younger, 1748–1804

The Admiralty

undated

Thomas Malton the Younger, 1748–1804

Newgate

1799

Charles Turner, 1774–1857

Backswords

1810

Henry Heath, active 1824–1835

Omnium Gatherum, No. 7

undated

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 5

1831

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 3

undated

Henry Heath, active 1824–1835

Ominum Gatherum No. 6

undated

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1854

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1830

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

1830

Print made by Robert Wallis, 1794–1878

Ludlow Castle, Shropshire

1831

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1830

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch, Leicestershire

1832

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch, Leicestershire

1832

Print made by James Tibbits Willmore, 1800–1863

Llandberis Lake, Wales

1834

Print made by James Tibbits Willmore, 1800–1863

Tamworth Castle, Staffordshire

1832

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by William Radclyffe, 1780–1855

Caernarvon Castle, Wales

1835

Print made by Tom Waghorn, 1900–1959

Blackfriars

1950

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Winchelsea

1816 to 1820

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by James Mitan, 1776–1822

Turin, from the Portico of the Superga Church

1820

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Samuel Buck, 1696–1779

The South-West View of Battel-Abbey, in the County of Sussex

1737

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

John Goldar, 1729–1795

The Refusal

1768

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by Sir Frank Short, 1857–1945

Ehrenbreitstein to Coblentz

1891

$William Chapman Ilfracombe, North Devon$

Print made by William Chapman, 1817–1879

Ilfracombe, North Devon

between 1853 and 1874

James Gillray, 1756–1815

The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

ca. 1808

James Gillray, 1756–1815

The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom

1809

James Gillray, 1756–1815

Overthrow of the Republican-Babel

1809

James Gillray, 1756–1815

An Old English-Gentleman pester'd by Servants wanting Places

1809

James Gillray, 1756–1815

The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

1806

James Gillray, 1756–1815

Westminster-Conscripts under the Training Act

1806

Print made by Thomas Patch, 1725–1782

Album: Caricatures by Tommaso Patch

1765 to 1770

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 37

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 37

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