Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 40

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851

Solway Moss

1816

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851

Lauffenbourgh on the Rhine

1811

Etched by Joseph Mallord William Turner, 1775–1851

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851

Mt. St. Gothard

1808

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Morning

1753

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by John Boydell, 1720–1804

Noon

1753

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Charles Grignion, 1717–1810

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Morning

1745

Print made by Pierre Charles Canot, ca. 1710–1777

A Strong Gale or Squall

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Evening

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Night and a Ship on Fire

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Shipwreck

1745

Print made by Pierre Charles Canot, ca. 1710–1777

A Ship in Distress

1745

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

Print made by Pierre Charles Canot, ca. 1710–1777

Sun Under a Cloud

1745

Print made by Robert Wallis, 1794–1878

On the Thames

1875

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Thomas Malton the Younger, 1748–1804

Horse Guards, Whitehall

undated

Thomas Malton the Younger, 1748–1804

St. Martin-in-the-Fields, Interior

undated

Thomas Malton the Younger, 1748–1804

Banqueting House, Whitehall

undated

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Louisa Augusta Greville, 1743–active 1762

Five People Praying

1760

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by William Bernard Cooke, 1778–1855

Source of the Tamer and Torridge

1816

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1818-1823

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Charles Cousen, ca. 1819–1889

Abingdon

between 1859 and 1861

Print made by James Charles Armytage, 1802–1897

Approach to Venice

between 1859 and 1861

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by William Miller, 1796–1882

St. Michael's Mount, Cornwall

1866

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

James Gillray, 1756–1815

An Old English-Gentleman pester'd by Servants wanting Places

1809

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 40

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 40

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