Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: sitting

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827

Air; Plate 6

1793

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This?; Plate 14

1793

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

1793

Print made by William Blake, 1757–1827

Water; Plate 4

1793

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Print made by Thomas Chambars, ca. 1724–1789

Peter Tillemans

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

John Dixon, ca. 1740–1811

William Robert Fitzgerald, Second Duke of Leinster

1775

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by John Crome, 1768–1821

Landscape with Oak Trees

ca. 1812

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Print made by Robert Isaac Cruikshank, 1789–1856

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

Prints made by Luigi Schiavonetti, 1765–1810

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810

The Grave, A Poem, by Robert Blair

1808

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms sitting

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

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