Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: table

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms table

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Last Supper

ca. 1854

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

John Eginton, active 1763–1800

The Affectionate Daughter

1792

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by George T Doo, 1800–1886

George Vertue

1849

Print made by Esme de Boulonois, active 1645–1681

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

John Goldar, 1729–1795

The Refusal

1768

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

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