Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Associated Places: Plymouth Sound

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Associated Places Plymouth Sound

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1821

Print made by William Bernard Cooke, 1778–1855

The Mewstone, Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1821

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound

1835

Print made by William Daniell, 1769–1837

Quay at Straddon Point Near Plymouth

1825

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1815

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound

1835

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

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