Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Subject Terms: jackets

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Subject Terms jackets

Print made by Robert Sargent Austin, 1895–1973

Salus Infirmorum

1922

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by Thomas Chambars, ca. 1724–1789

Sir Godfrey Kneller and John Zackary Kneller

undated

Print made by James McNeill Whistler, 1834–1903

Bunting

1887

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Print made by Stanley Anderson, 1884–1966

The National Gallery

undated

Print made by Robert Sargent Austin, 1895–1973

Italian Fair

1923

Print made by Robert Sargent Austin, 1895–1973

Still Life, Perugia

1933

Print made by Thomas Bonner, ca. 1740–ca. 1812

Junius

1769

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

William Dickinson, 1746–1823

The Deserter

1784

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

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