Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Subject Terms: walls

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Print made by John Boydell, 1720–1804

Night

1756

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Robert Sargent Austin, 1895–1973

The Cathedral, Palma

1928

Print made by Sir Muirhead Bone, 1876–1953

Demolition of St. James's Hall, Interior

1906

Print made by Robert Sargent Austin, 1895–1973

Springtime at Fulham

1921

Print made by Sir Muirhead Bone, 1876–1953

Stirling Castle, No. 2

1909

Sir David Young Cameron, 1865–1945

Montivilliers

1903

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by John Sell Cotman, 1782–1842

Castle at Tancarville

1821

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1917

Print made by unknown artist

A View of Campo Vaccino at Rome

undated

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Stanley Anderson, 1884–1966

Pont Corneille, Rouen

undated

Print made by Robert Sargent Austin, 1895–1973

The Angelus

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938

Mortmain

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Minister

1924

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Cresset

1915

Print made by Richard Earlom, 1743–1822

A Landscape with Buildings

1807

Print made by Richard Earlom, 1743–1822

A Study

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Ford

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Cresset

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stoke Poges

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Minister

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Minister

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

Linn Bridge

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Ford

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Print made by Sir Muirhead Bone, 1876–1953

The Ballantrae Road

1907

Print made by Samuel Buck, 1696–1779

The South-West View of Battel-Abbey, in the County of Sussex

1737

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

William Byrne, 1743–1805

Untitled

1765

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Print made by Thomas Bowles, ca. 1712–died 1753

The Admiralty Office

1731

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1921

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stoke Poges

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

St. Botolph's Bridge No. 1

1917

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1917

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1917

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Richard Bernard Godfrey, 1728–op.1794

Edgar's Tower, Worcester

1786

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

Print made by William John Cooke, 1797–1865

Worcester

undated

William Byrne, 1743–1805

Carnarvon Castle

1775

William Ellis, 1747–1810

The New Meeting

1792

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Charles Heath, 1785–1848

Benevento, Kingdom of Naples

undated

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Subject Terms walls

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On-site Access Accessible by appointment in the Study Room

Subject Terms walls

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