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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Date 1827

Remove constraint Date: 1827

Genre marine art

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Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 12 1/2 inches (25.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Dover

No cover image available
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Etching and mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund