Materials & Techniques: etching (printing process) / Period: 18th century / Height [cm]: 41

Print made by William Hogarth, 1697–1764

After

1736

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Print made by Richard Earlom, 1743–1822

A Shepherd Boy

1781

Print made by Joseph Grozer, ca. 1755–1798

Viscountess Duncannon

ca. 1785

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Print made by William Nelson Gardiner, 1766–1814

January

1788

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

William Byrne, 1743–1805

Chinese Pavilion in European Landscape

1792

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as the Spinster

1789

Print made by Johann Jacobus Haid, 1704–1767

La benedicite

undated

Print made by Johann Jacobus Haid, 1704–1767

La gouvernante

undated

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

ca. 1787

William Elliot, active 1774, died 1792

Kilgarren Castle, South Wales

1765

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

James Mason, 1710–1783

Pembroke Town and Castle

1775

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by George Vertue, 1684–1756

William Cavendish of Newcastle

1739

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissors, and Razors to Grind

1795

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberrys

1795

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Arthur Pond, ca. 1705–1758

Village Dance Under a Tree

1732 to 1736

Print made by Benjamin Smith, 1775–1833

Sigismonda

1795

William Dickinson, 1746–1823

Rosamund and the Fair Annett

1784

Paul Fourdrinier, 1698–1758

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Francesco Bartolozzi, 1728–1815

February

1793

Print made by Francesco Bartolozzi, 1728–1815

March

1793

Print made by Francesco Bartolozzi, 1728–1815

June

1789

Print made by Francesco Bartolozzi, 1728–1815

July

1789

Print made by Francesco Bartolozzi, 1728–1815

August

1793

Print made by Francesco Bartolozzi, 1728–1815

September

1793

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Materials & Techniques etching (printing process)

Period 18th century

Height [cm] 41

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Materials & Techniques etching (printing process)

Period 18th century

Height [cm] 41

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