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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Period 18th century

Remove constraint Period: 18th century

Height [cm] 42

Remove constraint Height [cm]: 42

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William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Caroline Watson Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
George Vertue Johannes Potter, Archiepiscopus Cantuariensis
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
Luigi Schiavonetti Sweet China Oranges, Sweet China
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
Niccoló Schiavonetti New Mackrel, New Mackrel
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
Giovanni Vendramini Strawberrys, Scarlet Strawberries.
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
Giovanni Vendramini Old Chairs to Mend
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
Anthony Cardon A New Love Song, Only ha'Penny a Piece
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
Francesco Bartolozzi Lady Smith and Her Children: George Henry, Louisa, and Charlotte
Print made by Francesco Bartolozzi, 1728–1815
Lady Smith and Her Children: George Henry, Louisa, and Charlotte
1789
Robert Pollard The Distress'd Situation of the Dutton East Indiaman
Print made by Robert Pollard, 1755–1838
The Distress'd Situation of the Dutton East Indiaman
1796
Johann Jacobus Haid La benedicite
Print made by Johann Jacobus Haid, 1704–1767
La benedicite
undated
Johann Jacobus Haid La gouvernante
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Louisa Augusta Greville Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
Thomas Rowlandson French Barracks
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
Joseph Collyer The Volunteers of the City and County of Dublin
Print made by Joseph Collyer, 1748–1827
The Volunteers of the City and County of Dublin
1784
William Nelson Gardiner November
Print made by William Nelson Gardiner, 1766–1814
November
1788
Luigi Schiavonetti Sweet China Oranges, Sweet China!
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
Luigi Schiavonetti New Mackrel
Luigi Schiavonetti, 1765–1810
New Mackrel
1795
Anthony Cardon Do you want any Matches?
Anthony Cardon, 1772–1813
Do you want any Matches?
1794
Giovanni Vendramini Knives, Sissors and Razors to Grind
Giovanni Vendramini, 1769–1839
Knives, Sissors and Razors to Grind
1795
Luigi Schiavonetti Milk Below Maids
Luigi Schiavonetti, 1765–1810
Milk Below Maids
1793
Anthony Cardon Round and Sound Five Pence a Pund Duke Cherry's
Anthony Cardon, 1772–1813
Round and Sound Five Pence a Pund Duke Cherry's
1795
Giovanni Vendramini Old Chair to Mend
Giovanni Vendramini, 1769–1839
Old Chair to Mend
1795
Luigi Schiavonetti Two bunches a penny Primroses, two bunches a penny
Luigi Schiavonetti, 1765–1810
Two bunches a penny Primroses, two bunches a penny
1793
Giovanni Vendramini Fresh gathered Peas. Young Hastings
Giovanni Vendramini, 1769–1839
Fresh gathered Peas. Young Hastings
1795
Giovanni Vendramini Strawberries's Scarlet Strawberries
Giovanni Vendramini, 1769–1839
Strawberries's Scarlet Strawberries
1795
Thomas Gaugain Turnips and Carrots
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797
Giovanni Vendramini Old Chairs to Mend
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
George Vertue Charles I and Henrietta
George Vertue, 1684–1756
Charles I and Henrietta
1742
Arthur Pond St. Magdalene in Penitence
Print made by Arthur Pond, ca. 1705–1758
St. Magdalene in Penitence
1734
Robert Blyth John Hamilton Mortimer
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
Arthur Pond Man Seated on a Rock
Print made by Arthur Pond, ca. 1705–1758
Man Seated on a Rock
1735
Arthur Pond Philosopher Seated under a Tree
Print made by Arthur Pond, ca. 1705–1758
Philosopher Seated under a Tree
1735
George Vertue John Locke Esq.
Print made by George Vertue, 1684–1756
John Locke Esq
1738